[Jeni L.]

Hello. This is my first post after lots of informative lurking. I have a question about sword aesthetics. Basically, when buying a new (non-antique) sword, why be limited by the design choices of a bygone age? Why no new sword designs for a modern era?

I’m not asking about blade geometry, handling characteristics, or any of the other “performance” aspects of a sword. Our predecessors had to bet their lives on these things, and it seems unlikely to we moderns have much to offer in these areas.

What I’m asking about is more the aesthetic aspects of the sword components (guard, grip, pommel). While they may have to have certain features (weight springs to mind) to maintain handling characteristics, they can basically look like whatever the modern sword maker can imagine.

The only “modern” designs I really see are the bad crystal-dragon-vampire swords familiar to pretty much everyone. Of course some high end custom makers are doing beautiful and original work, but the tendency seems to be towards recreating every last detail of the period originals.

If you are practicing kung-fu, is it an essential part of the experience that your jian look as much like an old one as possible? What about all the WMA guys (and gals) out there? Does the look of the sword matter? I know most everyone here is into the historical stuff, but wouldn’t it be cool to have a modern looking sword for the modern practitioner?

Thanks to all and I look forward to your thoughts.

[Nathan Robinson]

The answers to this question going to be complex and varied.

For me, there are a number of answers that drive me to having a desire to recreate history. Some of what fuels that is exactly that: the notion of recreating, and thus learning from, history. It's a fascinating thing rediscovering this stuff. Often, I've found myself curious about a sword I see published in a book or museum and want to be able to hold it. I often am curious how it might appear as if new. This drives me to want to create it.

There are other reasons for me, as well, but I think it boils down to one single reason: there are literally thousands upon thousands of extant swords from history. Of these, most of them were workable designs that functioned and survived time because of it. Why not create from this library? Why reinvent the wheel? I've got plenty of things of interest to me that I want to have created, that I want to hold, that I want to learn about. This alone will take me many years of discovery. I don't have time for the other stuff.

History is often more diverse than most people think it to be. The historical record of swords, alone, is varied and full of whacky designs. Check out one topic I put forth to demonstrate this: Ornamentation: Fantasy vs. History.

Welcome to the site, Jeni.

[Sean Belair]

it's a personal thing, you can get any sort of sword that fits your stile. my preference is for historically based swords.
if you like swords with a different look, go for it. there is no one telling you you can't have a 38 inch blade with a fuller running right to the tip with a two handed machete grip.

basically the "historical" sword on the marked are just combinations of cross, pommel and blade stiles. for instance albion makes stiles of swords, they take a group of similar swords and create an archetype. gus trim will mix and match anything. unless it is a reproduction of a specific sword it is a mix and match.
the sword i'm working on now is a type XIV with a curved guard and a disk pommel. it is based on a few swords of that type i picked the parts i liked the best, and when its done no one will look at it and say fantasy sword.

you'll notice that every sword maker has their own stile, they make what they like.
i would say look through the sword makers links and find one with your stile, than let you imagination go.

[Joe Fults]

Hello. This is my first post after lots of informative lurking.

Welcome to the forum.

I have a question about sword aesthetics. Basically, when buying a new (non-antique) sword, why be limited by the design choices of a bygone age? Why no new sword designs for a modern era?

Limitations such as these are simply a matter of individual choice. It happens that you are asking the question on a website dedicated to the study of historical weapons, so people with a historical interest predominate here.

…

…

The only “modern” designs I really see are the bad crystal-dragon-vampire swords familiar to pretty much everyone. Of course some high end custom makers are doing beautiful and original work, but the tendency seems to be towards recreating every last detail of the period originals.

Sword producers make what interests them and/or what people are willing to buy at a given price point. It’s all demand and interest driven.

If you are practicing kung-fu, is it an essential part of the experience that your jian look as much like an old one as possible?

I don't practice any Eastern arts. I suspect it might technically not make much difference, but many of these arts emphasize a traditional component which is (I think) positively reinforced by traditional arms. I suspect much of it comes down to preference as already mentioned, although I also suspect more than a few people would credibly claim proper form and learning requires proper tools.

What about all the WMA guys (and gals) out there? Does the look of the sword matter? I know most everyone here is into the historical stuff, but wouldn’t it be cool to have a modern looking sword for the modern practitioner?

To me looks do matter. I think it’s cool to use a tool that is reasonably close to period because I’m trying to learn a period art. That is just my preference. I do agree that a modern looking sword would be cool for a practitioner or a modern art. However, I aspire to be a modern practitioner of an ancient art, not a modern practitioner of a modern art. Does that make sense?

[Tim Harris]

This is my first post as well, and I think it's appropriate that I make it in response to yours.

You raise an interesting question. On the face of it, there is no reason why a modern aesthetic couldn't be brought into sword making. There may be other examples out there, but I can think of only one example of a modern aesthetic that goes beyond the standard fantasy style: the weapon featured in the "Blade" movies. Everything else seems to come from the private dreams of black metal fans.

As both a swordmaker and Western martial artist though, I find that traditional methods and styling choices are more effective than modern approximations. There is also quite a "form follows function" component. It could be argued that historical swordplay techniques are determined by the characteristics of the weapon used, and that a weapon's aesthetics are, to some extent, integral to these chartacteristics. (There's a chicken/egg discussion in that.).

Period "feel" goes hand in hand with historical techniques, in my view. I could make a contemporary analogue that would do exactly the same things an 18th century backsword does, but using it in 18th century backsword play just wouldn't seem "right".

[B. Stark]

Frankly there are plenty of sword makers who produce "contemporary " designs. You have to realize that there are only so many ways to manipulate the corresponding parts of a sword, dependent upon it's origin, before you loose it's dynamic qualities. "Tactical" is the usual byword for modern interpretation of sword design. Often bead blasted finish, some kind of polymer grip material etc. You are not going to improve upon the weapons function beyond what has been already discovered 500 years + ago short of increased durability perhaps. Gus Trims blades have a very contemporary look. Also you could have these blades re-hilted with a "modern" design motif. Odinblades would probably be game for such an idea.

The problem I have with the question is how are you going to aesthetically improve upon the weapons of the 16th and 17th centuries. Metal work reached it's apogee during this time, many modern sword makers wrack their brains just trying how to implement the designs of the past using modern methods. Trust me, it's a work in frustration. The levels of complexity reached at this time are really mind boggling. In contrast most "modern" designs are very spare and simple, and really quite easy to make when compared to a baskethilt or some other complex hilted weapon.

[Jean Thibodeau]

To really have something " NEW " , as in something that nobody has ever imagined as a functional sword, would be very difficult as long as some new technology and materials were not invented or used.

Science fiction like concepts of a vibro blade, monomolecular thick blade made of impossibly strong and rigid materials capable of cutting a tank in half with just ounces of pressure in slow motion ? Or a Starwars like lightsaber.

Aesthetically blade shape type, fullers and complex grind lines impossible to do handheld, hilt components of modern design / style should all be possible.

One point though is that swords are no longer viable as weapons except in maybe the most specialized special forces scenarios. ( Mostly, action film stuff ) For those applications a wakizashi type of medium blade length 18" to 24" or even a gladius type blade might be useful in extreme close quarter combat.

[Nathan Robinson]

[J. Padgett]

Other than a minimalist approach with modern materials I'm not sure what a sword with a modern, non-fantasy aesthetic would look like.

Sharks stopped evolving millions of years ago arguably because they reached perfection for their ecological niche. The same could be said for swords, but their niche also vanished, and they became effectively extinct. There is no true evolution of the sword (aesthetic or otherwise) to bring them to the modern era.

So what would a modern sword look like?

[G.L. Williamson]

Jeni, I likely could not present better responses to your question than those posting before me in this thread--given the exceedingly excellent points made in all of those posts--but I am wondering about your question itself. What, exactly, would qualify in your mind as "modern-looking"? I ask because I'm not sure any sword (any proper one, anyway) could really look very "modern" without looking quite historical as well. Afterall, a sword of any age or pattern will still end up (far more than likely) with a longer blade than a knife and with a grip of some kind.

Please take a look at all 4 or so pages of the thread Nathan mentioned earlier in this thread ( Ornamentation: Fantasy vs. History ) to see some examples that may very well be classed by some people as rather "modern-looking" even though they were produced 400-500+ years ago. Just on the first page of that thread are a few very good examples of this. Other than such types, I'm not sure what else might qualify. Unless you meant something like having Phasers engraved into a notably "modern" plastic, purple grip, and a long line of joined Harry Potter heads for a guard with perhaps a decidedly "modern" ICBM-shaped blade? I'm truly not poking fun, so much as I'm trying to illustrate that whatever a maker could possibly do to add a "modern" look to a sword might very well turn out to look simply like most historical swords (in some way) with more "modern" designs pasted on it (which, logically, might not turn out to look so hot, either).

None of this is to say that someone who wants the above-mentioned (IMHO, hideous...lol) Harry Potter/ICBM sword has no taste, or that the sword wouldn't by definition be a "sword". It's just that it seems a maker would almost have to go that far to make a sword clearly "modern". Anything less would look more like another basically historical design with a few twists (like, otherwise a perfect Viking sword, but with Oprah's face on the pommel just to show it's modern). Some people might find swords other than the "Vampire" type fantasy swords you mentioned to be too old, historically-based, etc. because they don't know enough about the history of swords in general to know the differences between truly old and "modern". Some very fine swordsmiths make honestly modern swords (not fantasy wall hangers, either) that to most people would look just as old in design as a direct reproduction of Edward III's sword.

I hope that's thorough enough that it doesn't read as caustic (which is not intended in any way), and explains some of the confusion a few people may have over how to adequately answer your question. I hope this has helped some, and welcome you to the website.

[Martin Wilkinson]

[Joel Whitmore]

Jeni welcome to the forum and what a great question for your first post. I think the reason there are no "modern swords" is due to the fact of what a sword is. In the end it is an implement for maiming and/or killing someone. While this may sound harsh I am in no way degrading the artistry, craftsmaship or beauty of the sword. One of the major reasons I believe you see so many recreations of period swords is because many people who love to study swords are also fascinated by their historical usage. I would venture to say that a great many collectors were brought to swords through a love of history, though for some, it may have worked out in reverse. I would go so far as to say that nearly every sword today is a modern sword in that modern metals, fabrication and finishing techniques are used. As far as what the sword looks like, well the sky's the limit there. From your readings here Jeni, you may have noticed that swords (most epsecially European samples) changed shapes and weights over time. This was in direct response to conditions meton the battlefield with advances in armor, tactics, etc. From that standpoint, what would a completely modern sword design seek to do? What exactly would it be designed to combat on the battelfield that would shape it? As you can see this question is a moot point since swords are no longer used on the modern field of battle. Thus, the crystal, dragons head, with the 4-pound brass winged pommel and non-heat-treated stainless steel blade. These are deisgned to cater to a clientel who care little about performance and only about looks. There are custom smiths out there who will make a sword for you based on your own or contemporary designs, but there is only so much that can be done before you end up with something that is not really a functional sword. As stated above, there is only so much you can do with the design of a sword blade that hasn't come up in history. Just some of my thoughts about things. Thanks for posting a greta question Jeni.

Joel

[Craig Johnson]

Interesting topic. It permeates to the entire scope of what we do as sword makers, users and consumers. In effect the question of why do we do what we do is at the core.

First off, I would say there are modern designed swords. The vast majority fall into two areas presentation swords, symbols created to represent some event or accomplishment and as B. Stark wrote the "tactical"group designed for use in some modern combat situation. The sword combining function and esthetic value is less seen as we do not wear them as jewelry today and expect to use the same piece for defence. There have been some of these made over the years but the market for such is smaller than the others and it is often limited to those interested in collecting a particular maker.

The presentation type sword has always been there and probably always will be. A piece done in some style and decorated to highlight some aspect of the owners life. I think the French Order of Merit still presents each new member with a sword designed to highlight there area of specialty.

Many decorative artist have worked in swords as a form and one can find some very nice smallswords for example that are done in an art deco style. The market size again is what limits this to some respect as swords were an expression of the popular culture of their day and as that has changed we have done less to carry the form through to the culture of today. In fact the sword now probably appeals more to a personality that appreciates elements of the past very highly and is less attracted to what the popular culture of today extols for style and design. Though it would be quite interesting to see what some one like Frank Gerry would come up with for a sword design.

When the popular culture of the now connects with swords today we are in such areas as anime and fantasy.

If you are truly interested in finding a modern sword I would recommend talking to several makers and see what type of ideas they have to answer your query of what would the sword of today look like. Look at there work and see who has the design chops and style that you like and have them make it for you.

We sometimes relegate the sword to the past but it is still something that runs through our lives. It is often a symbol but it can still be a terrible weapon of destruction. We are only a few short years beyond Rwanda and I have heard it estimated that more people died from machete wounds in that horrible conflict than had died from bladed weapons since the 17th C.

Like I said very interesting topic.

Best
Craig

[Joe Fults]

[Jean-Carle Hudon]

Mr Wilkinson,
for modern swords, why not just check out Wilkinson Swords? Beautiful products, and still made for armed forces and police forces throughout the world . I wouldn't mind adding a few of those to my inventory. I think that ''modern'' can also include WWI and WWII swords, and I am quite proud of those my father brought back from Europe in 45, nicely displayed on the fireplace in the living room. My den serves more for the repros of medieval and renaissance swords . My old fencing gear is in the attic somewhere, except for the mask which I get to use every now and then, when I get the opportunity to swing the rapiers around...So, to add my input to the original question, I see no reason why ''modern'' swords cannot be a subject of interest, though as their use is extremely limited in the ''modern'' period, it is to be expected that there is not that much to discuss. What more can one say to the new owner of a fine Wilkinson sword product, or even some finely crafted fantasy piece, than '' Congratulations'', whereas the reproduction of a XVI th century rapier can give rise to a whole debate about its historicity and conformity, or lack thereof, to an original model seen in a museum somewhere, or even criticism of the use of the term rapier as some prefer to call these things ''cut & thrust'' swords if the blade is made a bit too hefty. I don't think there is anything barring conversation and exchanges of information on this site about modern products, save and except the very limited interest for them in the more historically inclined community which visits this site as regular contributors.

[Bruno Giordan]

[Russ Ellis]

[Sam Barris]

Wilkinson Sword is dead. This event troubled me greatly, as they were the only maker of my style of dress saber that used wood and rayskin for hilt components, rather than mere plastic. But I digress.

[Jean-Carle Hudon]

Sam,
what a tragedy. I didn't know that Wilkinson had gone belly up, bloody shame.

[Steve Grisetti]

Welcome, Jeni. Excellent first topic!!