[Leo Todeschini]

HI All,

This is a late 16thC ear dagger heavily inspired by a piece in The Wallace Collection. These daggers almost certainly have a Eastern Mediterranean influence of 'the exotic' and as as such were popular in Italy, but also in Spain. They were popular in the 16thC and early 17thC and did spread across Europe in limited numbers. Henry VIII is shown in his fatter years wearing a rather splendid gold one.

These are always interesting pieces to make and are always very slow and tricky pieces, and that must have been as true then as now, so this just adds to its high status as a weapon. These are never seen as lower class objects and as far as I know a 'munition grade' ear dagger does not exist.

This example fits easily into the stylistic framework of ear daggers and as such all the features are pretty normal, so just take it as read that what I have done is usual for this type of weapon.

The blade is thick at the hilt of around 8mm x 23mm and tapers down fairly evenly to leave a thick tip; the blade has a prominent ridge running down caused by the hollow grind and this makes for a very stiff armour piercing blade. The ricasso is asymmetric and is also slightly hollow ground and the blade tang rapidly increases from around 8mm thick at the hilt to around 12mm at the pommel, where it swells out to form the bridge between the two ears.

The tang clearly is parallel sided whereas the grip is not, so this leaves 4 prominent edges running down the grip. This looks uncomfortable, but not as bad as you may think, however it certainly does not have the comfort of a regular dagger grip. Note though that this dagger is not a tool to used often for long periods and so fashion has a large influence too and as all ladies who wear high heels will tell you or Homeboys with low slung trousers/pants; looking good often overshadows practicality.

What is noticeable is that the ears and the overhand grip make for a very secure hold for hard stabbing strikes.

The grip scales are made from horn and the scale liners are bronze. The ears are in steel with radiant lines cut in.

The scabbard is made in wood, covered with leather and has silver plated fittings. This scabbard has a hanging point but I believe that it was more common to simply thrust the scabbard through a belt and let the swelling of the disc stop it falling through. Either way the disc at the top of the scabbard was a common feature.

I hope you like it.

Tod

[Nathan Robinson]

I saw t his posted on Facebook several days ago and I must say it's stellar... absolutely stunning.

[Joe Fults]

Amazing bit of creation...

[Mart Shearer]

Well done on an under-represented class. Those are thick tangs.

Some examples in the FLG.

http://database.flg.es/ficha.asp?ID=190
http://database.flg.es/ficha.asp?ID=192
http://database.flg.es/ficha.asp?ID=194
http://database.flg.es/ficha.asp?ID=196
http://database.flg.es/ficha.asp?ID=198
http://database.flg.es/ficha.asp?ID=293
http://database.flg.es/ficha.asp?ID=295
http://database.flg.es/ficha.asp?ID=301
http://database.flg.es/ficha.asp?ID=1785
http://database.flg.es/ficha.asp?ID=1786


And the inspiration, Wallace A737:

[Mart Shearer]

Tod,

Any idea of the symbolism or purpose of the teats on the ears?

[Leo Todeschini]

Thanks Guys.

Mark Shearer wrote

[William M]