[Julien M]

Given that I have a bunch of sword scabbards in the works involving some serious leather carving, I thought it would be a good time to train on a smaller scale...and the eating knife made during Tod's course was in need of a sheath (the knife itself is still in the works as I want to work a bit on the pommel, but anyway it is very very sharp.

I'm glad I did practice on this before tackling something bigger again. I find leather carving especially hard (the forming, sewing, of the scabbard I find relatively straight forward).

I had a dragon beast design in mind from the book "knives and scabbards" for a long time now. I carved it on a dagger handle (documented somewhere on this forum) but was not satisfied because I overworked the leather trying to get the correct tracing done...and that's my problem. I approach leather carving pretty much like drawing, searching for the right line scratching away as I go. With leather it can't work that way. Once you've cut the leather, you have to be happy with it and move on. Tool wise, I have yet to find what works best for me. Also I soak the leather way too much before starting.

Anyway, pictures of the attempt below. I stripped the upper layer of the scabbard and binned it right after dying it. Too much scratching going on, too damn clumsy, but again, useful as a learning curve and I'd rather make mistakes on a 1.5 hour job like this than on a top grain full length sword scabbard.






Moving on, I've decided to have a design completed before starting the carving (these things are supposed to be done freehand and quickly, so I'm taking a different approach here). I'll transfer the pattern on the leather and will carve it from there). This beast is inspired by a dragon found on a 15th century manuscript. I'll give it a go again as soon as I can have a couple of hours to spare.

[Leo Todeschini]

Julien,

That is damn fantastic. Straight out of medieval London. You are right that these are done freehand and quickly, people then had bills to pay just like now and 'knocking it out' satisfies that requirement. Looking through knives and scabbards you come across the odd scabbard that has clearly been made by a stunning craftsman, but the vast majority have been quickly done to achieve an effect by a person well skilled in their craft.

Your scabbard fits that perfectly. The scabbard front has been split into a number of sections, the back has been decorated, the decoration covers the whole scabbard, the thonging is well done, the carving depicts a beast well and is well defined and in a medieval style. Everything is there.

Inspiring work for all those 'amateurs' (and us professionals) out there.

Want a job?

Tod

[Glennan Carnie]

Excellent work Julien. Really stunning stuff. I so need to get round to making a scabbard for mine.

[Jean Thibodeau]

Very nice work Julien and very period looking like Leo commented.

[Julien M]

Hey Leo,

I appreciate your comments (though I don't deserve such praise and I have seen you turn scabbards 3 times as good as this one in less than 20 min including comments . I know you are right, I've seen some historical examples that were even worse than mine as far as the carving technique was concerned. My design is not improper regarding the medieval context either...yet I can't be happy with the scabbard such as it is. I'm going to build a pen style handle for my swivel blade, and give the design drawn above a go. I'm not shooting for saddle carving style perfect lines, just cleaner lines and less scratching all over the place.

Glen, you definitely should. The scabbard itself is rather pleasnt and easy to make (can be done by watching your favourite tv show, that's how I managed to stick my owl in my finger though )...

And cheers Jean!

J

[Matthew Bunker]

Good stuff Julien.

[David Huggins]

Hi Julien

A couple of 'cheats' I've used in the past to bring of a nice result is simply to use tracing paper with the design drawn freehand to fit the appropriate area to be tooled, dampen the area of leather very lightly with a sponge or wad of cloth , place the tracing on the area and using a ball point pen that has previously had all of the ink used draw over the tracing. This will when dry leave an impression that can be re-worked, again just lightly dampening the area and using the tool of your preferred choice,and continue to move on to to the next area repeating this. I prefer much as Matt describes but the awl end filed and polished to a 'ball' end.

best
Dave

[Julien M]

[Nathan Robinson]

[Nathan Robinson]

[Julien M]

Ok, Took advantage of Matthew and David's excellent advices above. Got myself a flat awl blade, transferred my design by tracing it on paper above the damp leather beforehand.

I did not manage to take proper pictures as I have broken my SLR camera so flash it is.

I've progressed a lot in the carving, and I'm happy with it. I might dye it black at some point, but for now it will do.
Now that my hand is steady doing this, I will turn to a sword scabbard I've begun a while ago, which I want to decorate in details (possibly using medieval glass work as a base, a kind of tiny comic strip telling a story. Over ambitious maybe, let's see where that lands

Two mistakes I made: I formed the leather along the knife as soon as I completed the stitching, then changed my mind and tried to get rid of it (it splits the upper section in two, along the knife handle). I reduced it a lot with a bone knife, but it is still there...leather remembers, whatever you do!

I messed up the second leg of the beast, then managed to correct it, but the many sketching with the tip on the awl blade made it hard to see what to finally draw. So I went with an ink pen, thinking I would dye black. I changed my mind to red and could not fully clean the are. It's barely noticeable but it's there.

I think I got this where I want it. It took me much more than a couple of hours though I hope I did justice to this knife made during Tod excellent course in Oxford.

let me know what you think (after many hours spent on this, I can't even tell if it looks true to style or not...hard really).

J





Inspiration for this project was multiple, the book medieval knives and scabbard as usual, plus manuscript images, like the two below I used for the beast (early XV century unless I'm mistaken).

[Matthew Bunker]

Nice work Julien.
When you tried to clean out the ink, did you try acetone? That usually works

The Fiebing's prep that I use prior to dyeing is ammonia based and it does a good job of cleaning crap off the leather.

[Radovan Geist]

I liked your first sheath, but this is a HUGE upgrade. Very nice indeed.
May I have one technical question? You have used an awl for "drawing" the lines. But what tool do you use for "shading" (densely dotted areas around the beast, above the gate tower, etc)? Do you just make dots with the same awl, or is it something else?
I´m really looking forward to your sword scabbard project!

[Julien M]

[Sean Flynt]

Excellent work, as usual!

[G Ezell]

Excellent work, both design and technique.

Concerning layout work, I've found an orange fine-tipped marker to be ideal, easy to see on wet leather, but easily hidden by even lighter-colored dyes afterwards.

[Leo Todeschini]

Fabulous work Julien,

The detail is really good as is the design and of course the quality of execution that we have come to expect from you.

Really great work.

Keep it up - just not too much of it!

Tod