[David Wilson]

Okay, axe time....
1. A&A Nordland bearded axe, Gransfors Bruks battle axe, A&A type L viking axe, and Hanwei Viking hand axe.
2. Huh, there's the Hanwei axe again. Anyway -- A&ACZ (now Kasto) Francisca, Unknown maker francisca (purchased from Jas. Townsend), MRL/Windlass Assyrian bronze axe.

[Robert S. Haile]

Here's a GDFB pollaxe head I mounted recently. I cut the ash haft down from a piece of lumber using a table saw and some good guestimation skills. I decided to forgo the extensive linseed oil treatment and used a little stain and beeswax on the haft instead. The langlets were attached using a few mild steel pins, which I heated and peened over on either side. Not too terrible a turn out for a first try, and even though it's not quite as pretty as something A&A would've turned out, it's very stout and not too ugly.

The good folks over at Hanwei made things a tad harder by drilling entirely uneven holes in the langlets...but despite all the toil, I'm pretty happy with the finished product.

[Scott Hrouda]

Nice job Robert. Did you have much grinding to do on the socket welds?

Through my experience and the great projects many others have shared here, I have come to believe that purchasing a cheap polearm head and mounting it yourself is a really good way for a beginner to get started. Then it's all down hill from there...

[Robert S. Haile]

Thanks Scott! I actually used your old hafting thread for reference before I set to doing this. To answer your question, yes. There was a ton of grinding to do on the whole piece, especially in between the two lames, where they had been welded to the head. I could only take them so far down with the tools at hand, so I ended up doing some eyeballing and shaping of the haft itself to conform to the odd shape inside the socket. Luckily it all worked out in the end.

I originally wanted to get a similar pollaxe or bec de corbin from arms and armor, but since I commissioned a new period appropriate atrim longsword by Valiant Armoury it well emptied my pockets. I still need hourglass gauntlets and a reworked breastplate on top of that too...So I've got a way to go.

[Hal Siegel]

Cold Steel halberd project I finished last year - horrible factory black gunk finish stripped, head mounted on stained shaft.

[Chuck Russell]

GDFB poleaxe, MRL Bill, Lutel Bec de Corbin

[Bob Burgess]

I notice on the bec de corbin in the last post the spike is turned through 45 degreees, a feature also seen on Roman axes (construction tools) from Newstead Fort in Scotland, boarding pikes and modern fireman's axes.... I hadn't given it much thought, but it would seem that it would be easier to extract from armour or wood than one not turned diagonally...

Has anyone experimented with this, or do members of the forum have any thoughts on the subject????

My query started with a tool or weapon (still trying to determine exactly what it is) discovered during an archeological dig in Quebec Canada - http://outils-anciens.xooit.fr/t2783-Aider-l-archeologie.htm

[M. Livermore]

My experimentation with axes shaped similarly to the one you have shown suggests that you are correct. The motion of the arm when striking and recovering from a strike tends to cause the held implement to describe a circle or portion thereof. Turned spikes are much easier to extract for that reason, at least in my experience.

[Sa'ar Nudel]

[Ed Toton]

Unfortunately I don't really have any good pictures of my polearms.

But here's my custom A&A glaive (next to the A&A Henry V):



A&A Hungarian Axe:



And a really ancient picture of some of my other long pointies:


(left to right: CAS-Iberia Sparth Axe, a cheap display-only halberd, CAS Iberia lugged spear, very cheap sickle-spear I picked up at some renfaire somewhere)

[Felix R.]

Today I finally got my Poleaxe made by Manfred Pany. The idea was to make it late 14th early 15th cent. There seem to be no surviving pieces from that time. But we included sources from artwork and features from the later surviving examples. The idea was to mae it more simple and less decorated than gothic pieces. And have it sqare instead of diamond shaped (standing on the edge). Here are some sources, pictures will be added during the day.

[Felix R.]

Here are the pictures, the post is app. 1.85m in height.

There is also a buttspike, which is not so sharp, but more harassing than a square end.

[Bartek Strojek]

Very nice piece!

Lack of surviving originals is certainly disheartening, so far we're doomed to do educated guesses.

But I like this interpretation a lot.

[Ralph Grinly]

That looks very nice . Have you given it a work-out yet ? I'm curious about the rear 'beak". If used against armour, and that penetrated the metal - I'm thinking that the leverage on a shaft that long would snap the shaft before the beak could be levered out of the hole it made on penetration ??. To me..it seems you'd have to shift your grip much closer to the head to pull it out ?

[Felix R.]

I don´t think that the beak is meant to pierce armour, so no need to lever it out of the punched hole. On the other hand the whole piece is slightly longer than my personal height, which goes well with the dimensions shown in fencing manuscripts. You won´t hold it at end tho swing it around anyway.

[Bob Burgess]

Hi
Whilst the objects in Sa'ar Nudel's picture would make formidable weapons, I would say that their principal function is peaceful, and that they are all agricultural or vineyard tools. Further all appear to be French in origin, and I would guess the makers marks will show them to be 19th century, or even possible 20th century in origin... The style of these tools has remained unchanged through the centuries, and they were most probably the precursors of many type of pole arm. As mentioned on several other posts on this forum, not all armies were of trained soldiers, many peasants were pressed into service and had to take whatever weapoin they could find, or that they could make from their everyday tools c.f. the blade of a humble billhook having a spike or hook attached, fitted to a long pole and thus becomong a bill...

Numbering from the top: 1 and 3 are coupe-marcs, used in the cider and vine making regions of France to cut up the marc, or residue after the juice has been pressed out of the fruit. Each region of France has its own individual shape, and these are from the north west of France, around Normandy. 2 and 5 are probably coupe- près, used to open up drainage channels in grass lands, especially in regions that have (had??) water meadows - they may also be coupe- marcs, or possibly on poorer farms an old and worn coupe marc would become the coupe-prè.

4 is a croissant, in UK Englsih a slasher or staff hook, i.e. a hedging billhook on a long handle...

6 is a bit of a mystery, but my best guess would be an old no 5, with most of the blade worn or ground away....

For further reading I would recommend the books of Daniel Boucard, published in France by Jean Cyrille Godefroy: http://jean-cyrille-godefroy.izibookstore.com...%20Boucard

Or look at the French Old Tools website: http://outils-anciens.xooit.fr/f6-Identification-d-outils.htm

e.g.:

http://outils-anciens.xooit.fr/t2510-Outil-ou...htm?q=arme
http://outils-anciens.xooit.fr/t2664-Coupe-ma...coupe+marc
http://outils-anciens.xooit.fr/t2509-pour-le-...coupe+marc

[Julian Reynolds]

Bob,

That's a great French website/forum you linked to - it warrants lots more investigation!

It does throw up the question of how many of these old tools end up in the States being sold as 'medieval weapons' by unscrupulous vendors to unknowing customers.......

Julian

[Sam Gordon Campbell]

So, in order to get tools like that, I'd have to open up a vineyard?
Wine and revolts; I like the sound of that!

[Sa'ar Nudel]

[Bob Burgess]

One of the problems is that these tools are virtually unknown in the English speaking world. Secondly they are virtually unchanged in shape since the Middle Ages or even earlier. Thirdly French edge tool makers (taillandiers) continued forge welding of tools in small rural forges well into the 20th century. The situation was similar in other European countries. A 1960's survey of the Balkans undertaken by a French university discovered medieval tools and technology in everday use..

Les outils dans les Balkans du Moyen Age à nos jours. Coffret 2 volumes - Giustina Ostuni - 1986 - EHESS

(EHESS = L'école de haute études en sciences sociales - Paris - Department of Ethonolgie et Anthropologie)

Bernard Solon, Maison Alexis in Orléans (France), although well into his 70's, and in semi-retirement, still forge welds the blades of his vineyard hoes, incorporating a thin layer of harder, wear resistant high carbon steel into the medium carbon steel blade. As the softer steel wears away it exposes the harder core, making them self sharpening... His grandfather, who founded the forge, taught him this method, so it was still being practised after WW11....

I have the names of over 4000 french taillandiers who worked from about 1830 to 1940, and these are only the ones who had bought an entry into the year books - I have many more tools by unrecorded makers...

With regard to sellers offering tools from Europe in the USA as weapons, I have seen many instances - it is not only bearded axes (goosewing) that are sold as executioners' axes, but also the axe shaped coupe-marc from the Burgundy region of France. I also saw a late 19th early 20th century German billhook that I had bid on on ebay.de in 2008 being sold in the USA 2009 as an 18th century Pensylvania Dutch made tool - in the intervening year it had also acquired a Certificate of Authenticity. The seller had the decency to admit he had been fooled when I showed him the ebay images I copied in 2008 - it was identical right down to the scratch marks on the handle.... It just had the maker's initials on the blade, and a half dozen touch marks....

Museums are equally bad in getting their facts wrong, see the link 'Outil ou Arme' in my previous post... One of my aims is to try and correct these errors before they become 'gospel' because some 'expert' has written a book citing an error. For my part, if I am wrong I am happy to admit my mistake... please feel free to shoot me down...