Author |
Message |
Bill Grandy
myArmoury Team
|
Posted: Mon 04 Apr, 2022 4:17 pm Post subject: Complex geometry of jousting shields? |
|
|
Hi all,
Could anyone share any light on construction techniques of the complex shaped encranche/jousting shields of the 15th/16th century? For example:
https://www.metmuseum.org/art/collection/search/23353
https://www.metmuseum.org/art/collection/search/22876
I have heard it said that they took really thick lumber and then used an adze to carve the curves into them, but that seems like both a time intensive method that wastes a lot of lumber. I’m also aware of curving thin glued slats (i.e. the equivalent of plywood), but my brain can’t comprehend how to do that with multiple planes of curves.
I’d love to try to construct one (with period methods if possible), but I can’t find much information, and even trying to look closely at period originals is difficult, since the wood itself is generally covered in linen, gesso and paint.
HistoricalHandcrafts.com
-Inspired by History, Crafted by Hand
"For practice is better than artfulness. Your exercise can do well without artfulness, but artfulness is not much good without the exercise.” -anonymous 15th century fencing master, MS 3227a
|
|
|
|
Sean Manning
|
|
|
|
Leo Todeschini
Industry Professional
|
Posted: Mon 04 Apr, 2022 8:43 pm Post subject: |
|
|
I agree with Sean,
They are relatively small and of course the timber was cheap and compared to the guys who ended up owning them, the carvers would be paid next to nothing, so it would definitely be easier than laying up complex curves.
I did some work on these with Toby Capwell a few years ago and the one I made for him was faced with elm for ash end grain blocks to help catch the lance tip and stop it skidding off which would add to the danger and I have certainly seen them faced with horn blocks too.
Regards
Tod
www.todsworkshop.com
www.todcutler.com
www.instagram.com/todsworkshop
https://www.facebook.com/TodsWorkshop
www.youtube.com/user/todsstuff1
|
|
|
|
Sean Manning
|
|
|
|
Augusto Boer Bront
Industry Professional
Location: Cividale del Friuli (UD) Italy Joined: 12 Nov 2009
Posts: 296
|
|
|
|
Bill Grandy
myArmoury Team
|
Posted: Sun 10 Apr, 2022 7:03 am Post subject: |
|
|
Thanks, guys, this is very useful!
Leo Todeschini wrote: |
I did some work on these with Toby Capwell a few years ago and the one I made for him was faced with elm for ash end grain blocks to help catch the lance tip and stop it skidding off which would add to the danger and I have certainly seen them faced with horn blocks too.
|
This is really interesting. Are the blocks held on with glue? Is this assembled similarly to a modern kitchen cutting board?
HistoricalHandcrafts.com
-Inspired by History, Crafted by Hand
"For practice is better than artfulness. Your exercise can do well without artfulness, but artfulness is not much good without the exercise.” -anonymous 15th century fencing master, MS 3227a
|
|
|
|
Bill Grandy
myArmoury Team
|
Posted: Sun 10 Apr, 2022 7:06 am Post subject: |
|
|
Augusto Boer Bront wrote: | The consensus seems to be that they were made of multiple planks glued together.
That enables to give more complex concave/convex shapes that then can be carved up and enhanced by covering them with gesso and parchment/rawhide.
|
Thank you, and thank you for the pictures! That’s very useful.
HistoricalHandcrafts.com
-Inspired by History, Crafted by Hand
"For practice is better than artfulness. Your exercise can do well without artfulness, but artfulness is not much good without the exercise.” -anonymous 15th century fencing master, MS 3227a
|
|
|
|
|