[Artis Aboltins]

Peter, this is just perfect! I am very glad to see the fruits of your theory displayed and it does seem to me that you managed to really "hit the nail on the head" with it. Can't wait till you publish the full of it...

As for this specific sword - it does seem huge, when compared to other contemporary swords, and serves as proof to the great skill bladesmiths possessed back then (and to your own skill of course, for being able to replicate it so masterfully!)

[S. Jansone]

This is a really nice one!

[Peter Johnsson]

Thank you all for kind words and encouragement.

-Patric: Yes this is a sword that is right up your alley. i can see for my inner eye how you would look once you grabbed this one and wielded it: a special kind of happy ferociousness ;-)
Initially, I intended to make a scabbard for it, but decided to leave it be.

-JD: I don´t know if it is something specially Swedish about it. Perhaps it is? Scattered among more "normal" cousins you will find the odd monster. The Fyris sword could perhaps be classified as a type XII or perhaps a very big type XIa. The outline is subtle: there is a very slight flair at the base that is not very obvious but still has an effect on its visual impact.

Personally I feel that those swords that are a bit outside the "norm" are always the most interesting. If a sword stikes me as odd or even ugly, I know that chances are I can learn much from it. I appreciate those that are unusually big, but also those that are very light.

-Jeremy: well spotted! The ridges on each side of the fuller are slightly rounded, to better meet the look of B78. A river find will naturally have its lines a bit softened by rusting, but I think the fuller originally were somewhat blended or at least had somewhat rounded ridges. This is a pretty common feature in medieval swords. Especially if they have been re-polished or seen much use. It can well be a feature a blade would have had when it was new as well.

[Eric G.]

Peter,

The more I see of your work the more impressed I am. I don't think that I've ever seen one of your pieces that I didn't love. Thank you for sharing with all of us.

[B. Stark]

Frankly Peter, you exhaust me...that is an amazing work there! It never ceases to surprise me how these swords exhibit a presence and aesthetic that shouldn't be. There's no inlay, or embellishment just understated power and strength. Obviously this is a singlehand of singlehanded swords! Look at that beast...excellence as always.

[Taylor Ellis]

Peter, please, please put out an art book of your work for all of us who will never get to see swords like this in person. I don't think I've ever seen a piece of yours I didn't immediately want to own.

Astonishing as usual mate.

[Matt Corbin]

Peter,

Your attention to detail is always stunning. This one is no exception. Absolutely beautiful work

[Nathan Robinson]

What can I say that hasn't already been said here? Your attention to the quiet subtly of line, shape, and volume screams loudly in the whole of the finished items you create. As has already been mentioned here, your attention to detail is stunning and nearly unmatched, but it's the overall presence of the pieces that you create that is even more impressive to me. They speak to me even through photos over the 'net, and that's an impressive feat.

Cheers

[Julien M]

Magnificent (and imposing!) as usual Peter.

To you it may be a detail, but again what a splendid grip treatment! Even in these finishing steps you manage to push yourself a little bit further everytime.

Since I was among the happy few who had the pleasure of listening to you lecturing on swords, I especially look forward to reading anything you'd care to publish on the subject.

Cheers,

Julien

[Roland T]

Stunning sword. I echo what others have said here.

[J.D. Crawford]

For those interested in these extra-large one-hand swords:

I thought of Peter's sword last evening while reading Oakeshott's 'Sword in Hand'. Chapter 9 describes another huge one-hand sword found in Northern Italy, known as the Pontirolo Sword after its find-place. This one is even bigger (40.5" x 2.75" blade) with a fuller that runs somewhat futher down the blade, and a blob-like pommel, weighing in around 5 Lbs. Oakeshott calls it an XIa.

I don't want to violate any copyrights, but someone already posted this scan of the sword next to an ordinary 'big' medieval sword: http://sites.google.com/site/bghomofaber/pontirolo-2.gif

It seems there were a certain percentage of these over-grown blades during this period. I wonder if they were special purpose or just made for very big men.

[William P]

or maybe because those puny type XIa's and XIIs just wernt doing their job of wrecking everything the world could throw at the knights of that era,

but i think this thread showcases WHY albion is the ferrari of sword makers.

[Michael Edelson]

I got to handle this sword at Ashokan. It's sublime.

I got to look at it quite closely, and I have a "polisher's eye." I can pick apart what most people consider a perfect finish in seconds. This sword was incredible. Peter's attention to detail is simply unreal. I found myself staring into the steel's surface almost hypnotized. This was not a perfect Japanese art polish, it was intended to recreate a medieval finish, a smooth final coat over a visible coarser undercoat, and the way it was executed is pure artistry. I couldn't find anything that wasn't just right, and I'm crazy.

When it comes to Peter's work, I am a teenage girl at a Twilight screening.

[Taylor Ellis]

[Johan Gemvik]

This is a perfect example of why I'm an outspoken fan of both Peter and Albion.
A great example of yet another magnificent Swedish sword that deserved to be revived. Great work! And not just becaue I'm a patriot, though I confess there's a part of that in there too.

[Luka Borscak]

Well, no one will deny than in Sweden some of the most interesting swords are found... This one is a good example and this revival is just glorious...

[Paul Watson]

[Taylor Ellis]

[J.D. Crawford]