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Leo Todeschini
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PostPosted: Fri 20 Sep, 2013 6:13 am    Post subject: 1490's crossbow from Tods Stuff - only 6,000 components!         Quote

HI All,

Well this bow has kept me busy for a while mainly due to the ridiculous nature of the decoration. I saw a mid 16th bow a few years ago and have wanted to make a reproduction of something similar, so when a customer came to me looking for a special bow that came to mind.

The bow is a 450lb steel prod hunting bow using the style predominant through the 15thC in central Europe. During the 16thC this style got bulkier and started to integrate more of a modern butt to the stock. The bow itself has been linen covered and painted with a decoration from a Bavarian bow from the Wallace. The bow has been lashed on with dyed hemp cord and covered with a woven leather element. The hanging ring and trigger have been oil blacked.

The bow itself has been covered with around 6,000 3m x3mm bone and horn squares, with bone and horn inset plates for the cheeks and the deck etc. This solid covering of high density material makes the bow noticeably heavier than wooden versions.

Both the customer and I wanted make an open cranequin, more redolent of 16thC examples, but starting at around this time so I made the first of these that I have done. Making it open makes for a more decorative piece and also makes it lighter.

Hunting bows very often had pom poms set around them, so again I have done this here.

I hope you like the overall effect - hate it or love it, you will notice it! And that is what being rich in medieval times was all about.

Tod



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Leo Todeschini
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PostPosted: Fri 20 Sep, 2013 6:15 am    Post subject:         Quote

Here is the cranequin.

Tod



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www.todsworkshop.com
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Jason Elrod




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PostPosted: Fri 20 Sep, 2013 6:57 am    Post subject:         Quote

Wow!
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Jarno-T. Pälikkö
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PostPosted: Fri 20 Sep, 2013 6:58 am    Post subject:         Quote

Well, I'm guessing I won't be the only one here gaping at the pictures with my mouth hanging open in speechless wonder...

Flabbergasting! -I think that more or less covers my feelings...

JT
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Aaron Hoard




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PostPosted: Fri 20 Sep, 2013 7:08 am    Post subject:         Quote

I like the crossbow, but the cranequin is simply amazing. It's like a watch.
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Philip Melhop




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PostPosted: Fri 20 Sep, 2013 8:19 am    Post subject:         Quote

My flabber is completely gasted too. :eek: All those little pieces, sheesh :eek:
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Matt Corbin




PostPosted: Fri 20 Sep, 2013 8:21 am    Post subject:         Quote

Wow! Wow! Wow!!!!! :eek:

Absolutely stunning Tod. Bravo!!!!

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Michal Plezia
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PostPosted: Fri 20 Sep, 2013 8:27 am    Post subject:         Quote

A work of art! I can imagine the amount of job required to make such beautifull crossbow. :eek:
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Martin Kealey




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PostPosted: Fri 20 Sep, 2013 8:44 am    Post subject:         Quote

Eye-popping, jaw-dropping and, I'm sure, wallet emptying. What a piece of functional art! "Sigh" if only I had more Ben Franklins in my wallet then George Washingtons.
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Martin Kealey




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PostPosted: Fri 20 Sep, 2013 8:46 am    Post subject:         Quote

Eye-popping, jaw-dropping and, I'm sure, wallet emptying. What a piece of functional art! "Sigh" if only I had more Ben Franklins in my wallet then George Washingtons.
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Tim Lison




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PostPosted: Fri 20 Sep, 2013 9:14 am    Post subject:         Quote

Pom-poms. hahaha. It has pom-poms. Just awesome Tod. Love it. Your crossbows get better and better.

Would LOVE to see a video of this in action, both firing and just cranking the string back! Any way we could see that? Maybe post one to Youtube and link it? I'm sure I'm not alone in wanting to see it...
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PostPosted: Fri 20 Sep, 2013 9:35 am    Post subject:         Quote

Superb work Tod!!!

How long did the piece take to complete?
How the hell does one manage to cut 3mm x 3 mm pieces of horn, let alone 6000?

This is an absolutely amazing piece.


Last edited by Julien M on Fri 20 Sep, 2013 2:52 pm; edited 1 time in total
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David Lewis Smith




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PostPosted: Fri 20 Sep, 2013 10:22 am    Post subject:         Quote

This is one of the most remarkable things I have seen in a long time. Like the rest of my fellows who have commented, I am stunned out of words,

Did you hand make everything to include the screws?

How much force do you need to operate the windless to charge the bow?

Oy!

David L Smith
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James Anderson III




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PostPosted: Fri 20 Sep, 2013 10:35 am    Post subject:         Quote

That's amazing!! Excellent work Tod!
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PostPosted: Fri 20 Sep, 2013 10:39 am    Post subject:         Quote

Philip Melhop wrote:
My flabber is completely gasted too. :eek: All those little pieces, sheesh :eek:


Best quote!
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Matthew Bunker




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PostPosted: Fri 20 Sep, 2013 12:06 pm    Post subject:         Quote

Oh good grief.
I'm just nipping outside to cut my hands off....



Lovely as a lovely thing. I hope it drove you mad.

;)

"If a Greek can do it, two Englishman certainly can !"
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PostPosted: Fri 20 Sep, 2013 1:37 pm    Post subject:         Quote

Absolute awesomeness...!
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Ian S LaSpina




PostPosted: Fri 20 Sep, 2013 2:19 pm    Post subject:         Quote

Not only is that an absolutely stunning work of art, but you are now officially a saint for having the patience to make it!! Beautiful!
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PostPosted: Fri 20 Sep, 2013 2:46 pm    Post subject:         Quote

What an incredible piece of kit. The detail work on the stock is quite impressive. The work on the cranequin is as impressive as the bow itself. This is one of the most unique recreations I've seen in a very long time, truly inspiring.

Do you think the Pom Poms could have served as a noise dampener on a hunting bow? I used similar things, affixed to a bowstring, years ago while hunting with a longbow.

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PostPosted: Fri 20 Sep, 2013 7:32 pm    Post subject:         Quote

Aaron Hoard wrote:
I like the crossbow, but the cranequin is simply amazing. It's like a watch.


I'm with Aaron here. The crossbow is a Masterwork and I'll let the eloquence of the above forumites speak for me as well.

The cranequin is deceivingly simple looking device. Unadorned, it's a tool; the only purpose of which is span that beautifully deadly crossbow. The disassembled view is what captured my eye. To see the inner workings (clockwork) and to realize that every gear, every tooth was created by hand is astounding.

...and that, my liege, is how we know the Earth to be banana shaped. - Sir Bedevere
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