[Pedro Trigueiro]

I created this topic mostly based on some of my observations of the gens d’armes seen in the pavia tapestry. As such, I feel that the most important question would be: Is the Battle of Pavia Tapestry an accurate representation of arms, armor, etc. of the period? This questions sounds a bit specific, but I imagine it’s still very important to the topic. Anyways, I see no reason not to trust the tapestry.

Here's the tapestry link, its way too heavy to attach:
http://www.riha-journal.org/articles/2014/gal...des/fig.-1

The observations I made are that, based on what I can see from the tapestry, horse armor for the gendarme cavalry varies a lot. But overall it isn’t very prevalent and even those individuals which do have armored horses, usually still leave some areas unprotected.

There’s some examples of chanfrons, crinets (here I want to make another observation, all the crinets I’ve seen on the tapestry cover the mane, but I can’t see any examples of the neck itself being covered), peytrals and very few cruppers. All in all, while the riders are certainly very well armored, the horses vary a lot, with some being armored to varying degrees and others being not armored at all.


I think this view of the absence of horse barding would make sense based on one quote I found in the “Gendarmes, The Italian wars and more [Newcomer]” thread by Benjamin H. Abbott:


“You might want to read Instructions for the Warres (1548) by Raimond de Beccarie de Pavie, baron de Fourquevaux - usually shorted to just Fourquevaux, because that's a long name. Fourquevaux was a young teenager when Bayard fell in 1524. He gave a detailed description of how he wanted men-at-arms to arm themselves and fight. He wanted them to each have a lance of reasonable length, so he's not much help there, a sword - also not specific - and a mace. He wrote that a proper harness for a man-at-arms should be complete and that it would defend against basically everything except guns and artillery. He did note that harness might stop a arquebus ball at distance or if the gun were poorly charged or overheating. He wanted considerable horse armor for his men-at-arms and instructed them to avoid aiming their lances at their opposing armored counterparts and instead target the horses, which apparently rarely wore much barding at that time. Once the men-at-arms took to their swords, they were to continue to target the horses or any unarmed spot the found of the men. ”

Now the quote by Fourquevaux :
“In the meane while the enemie his men of armes do charge ours as much as the horses can runne, but marke well the man|ner of our men who stand still to receiue them. But assoone as the Captaine generall his Trompet doth sound, they do runne all at once: although the rase be not aboue twentie or thirtie pa|ces. And this they haue done (as I think) to resist their enemies the more forciblie. Haue you seene how our men of armes haue with their Launces galled the enemies horses in their breastes and sides? being sure that the enemies could neither hurt their persons nor their horses, because that they are very well armed themselues, and their horses are barbed and garnished with Chamfrings and Criniers, which the enemies do want: which is the cause that you do see so many of the enemies slaine, and so fewe of ours. Marke how our men with the force of their hor|ses, and with the thrustes of their swords do repulce their ene|mies, killing their horses as long as they may, & laying on vpon the men at all places where they may finde them vnarmed. The mase doth his office there also, and the Captaine Generall of the horsemen doth commaund the men of armes to keepe them selues firme together, and not to breake their rankes, or to suffer their enemies to enter within them by any meanes.”


So, anyone knows about this subject? Maybe horse barding gradually declined in the 16th century? Or maybe not every gendarme could afford full barding for their horses?

Lastly, I want to ask. Does anyone have any idea why the neck region is usually so exposed? Even in depictions where the gendarmes clearly have almost fully armoured horses, the neck region is usually left exposed. Take these examples:














Why should that be? Is armor for the neck area too expensive? Or maybe it restricted the horse’s mobility? Because I find it quite weird, that an area that would be so exposed to lances, pikes, crossbow bolts, etc. would be mostly unarmored.

[Philip Dyer]

I would guess that is has to with horse response to commands. If my understanding of basic equestrian ship is correct, orders to turn are signaled to by bit pressure, sideways yanking of the head, pressure from the reins on the neck, and pressure from the feet. Cutting either one of these command signal systems would make the horse less responsive and that can back the difference between life or death for the mount and/or as much or more than having the horse a large squishy target. Heavy cavalryman's horses needed to be as close to the horseman's feet as far as controllability as possible.

[Tom King]

In the 16th century proper, the proliferation of firearms.
Also cost vs result/tactical inflexibility; the same reason why the lancer who'd utilize horse barding declined during the same period.
You were much more likely to see reiter's on the renaissance battlefield with pairs of pistols or carbines, half armors, swords, and unbarded horses.

[Pedro Trigueiro]

[Tom King]

Your first image "John of Gaunt being received by the citizens of Bayonne" shows a plain clothed herald with an unbarded horse and his retinue, drawn about 200 years after the fact. The third shows armored horses in the background and the 4th "King Edward III of England Crosses Somme Before Battle of Crecy" shows mounted archers on the left, also drawn ~200 years after the fact.

We know cloth bardings and horse armor were common during the middle and high middle ages, as well as common amongst lancers in the renaissance period. Most of these, artistically would be grey on grey on grey on grey or "monotone blob with guy on it" if the horses were drawn with bardings. Art is generally a terrible source for discerning arms and armor. Funerary effigies and some of the surviving fechtbuchs and campaign journals paint a more accurate picture before we get into the renaissance proper with the use of perspective, foreshortening, and contrast to paint people (and arms) photorealistically.


maile, which is exceeding rare to find in any identifiable form, would be used to guard a horses neck if armor wasn't forgone.


but we have surviving horse bardings from the end of the late middle ages/early renaissance that provide plate defense.

We know as early as edward the 1st in England at least a man at arms would need to possess a barded war horse to be paid as such.
this link

The reason why I bring up firearms is that in your initial question about the battle of Pavia, firearms were quite prevalent. It occurred in 1525. A shot proof Peytral and chaffron is about the most you'd expect for a lancer, let alone demilancer.

[Mark Griffin]

[Philip Dyer]

[Ed W.]

Regarding the decline of cloth horse barding, art work from the early and high middle ages suggests a heraldric function as much as anything else. The lack of cloth bardings (caparisons) in later periods may reflect a more general decline in the relevance of heraldry on the battlefield.

Example below from http://manuscriptminiatures.com/4086/7885/

[Pedro Paulo Gaião]

Pedro, much of your images don't necessarily represent the French gendarmes, but noblemen as heavy cavalry; only the first and the fourth (perhaps also the third too) actually represent gendarmes. Seens that velvet covered barding was particular popular in Italy (becoming popular among the Gendarmes and the French King by the italian wars

But talking about horse barding, I remember the earliest reference to a full plate barding comes from around 1450, from Germany. I believe the reason why you don't usually see them are two:

1) This is pure speculation, but I think they're considerably more expensive than full plate armour in human shape. Probably armor-smiths spent more time and resources making armor in horse's shape rather than in human form. With less supply, the prices rise, making it accessible only to the more wealthy nobles.

2) Now we get more basis: Bardings makes horses slower and less efficient than a unarmored destrier. I remember seeing a picture (can not remember now whether it was a coin or a picture) of Emperor Maximilian I riding a horse with full plate bardings and two pairs of schynbalds to the animal's paws. It was a way of demonstrating imperial power through ostentation, but wouldn't be practical in battle field at all. I also remember that Reyes Católicos of Spain banned the use of horse bardings among their knights and men-at-arms (with a reason, of course)

By putting armor on a horse, you leave it slower. Leaving it slower, you decrease the impetus of its charge, making the charges less powerfull. That's why many byzantine chroniclers exalted the franco-norman knights over their typical cataphract: the knights were well clad in mail armour while their horses maintained powerful impetus, while the byzantine super-heavy horses weren't that fast, delivering less kinect energy. Knightly lance-charge was famous in the East, the mace armed cataphract was recognize in West (seens that the mace was the best option for slower but heavier cavalry). So, If I would put my money in some speculation, it would be in this.

[Pedro Trigueiro]

Sorry for the little delay in my replies, anyway i have to thank everyone that took their time to reply to this thread.

Tom, im glad you adressed about the images i posted. Indeed, i didnt do a proper checking on them. The main reason i posted those was because i felt, based on them, that barding wasnt that prevalent(since most of the horses arent armored). But since you pointed out theyre dubious im not so sure anymore. Do you know any good source on the funeral effigies, surviving fechtbuchs and campaing journals you mentioned?

About mail, thats why i posted those other pics in my first post. I believe most(not sure about the second one, but apparently it depicts the battle of dornach which i found close enough for 16th century heavy cavalry) show gendarmes, which have their mounts protected by barding, but also show the neck region exposed. This pattern is also seen in the pavia tapestry, with even the most armored mounts having the neck region exposed.

These one from the pavia tapestry for instance:













Id find very weird, if all these depictions showing the neck region exposed , with no sing of mail, was some sort of meme that wasn't based partly on truth.

Interesting quote about edward the first. Maybe ive been underestimating how common barding was.

About firearms in Pavia. I just had disagreed that lancer cavalry was declining by that time(as the french would keep them up to until the french wars of religion) and doubting if barding would have declined due to firearms by the time the battle was fought.

Mark Griffin's post is very interesting. Shame i cant reply well to it since i have no knowledge on horsemanship. But i will try checking the youtube channels you mentioned.

About what Ed said on heraldy, i also have no idea.


Now, about what Pedro Paulo said. Im a bit confused, as far as i know gendarmes werent obliged to be from noble birth, but the high costs made it so that most of them were at least minor nobility?

Anyways, about the pictures from my first post. I believe the first and fourth pictures are from Le Voyage de Genes(wikipedia also links one of those in the battle of ravenna article). Based on the title, id find it weird if those arent supposed to be gens d'armes.

Ive already said where the second one is from in this post, indeed im not sure if those are supposed to be gendarmes, the reason i posted it was to point out the absence of protection in the neck region for the mounts of heavy cavalry.

I think the third picture is called Le rassemlement des chevaliers. I found it in the army royal blog: http://stuartsworkbench.blogspot.com.br/2014/...art-1.html

The fourth picture is supposed to be marignano, again im pretty sure those are depictings the famous gendarmes charges at marignano. Im not sure about the fifth picture though, maybe its supposed to be Francis I? But yeah, id not be surprised if its a rather dubious picture.

About the theory on barding being more expensive than full plate in human shape. That's very interesting and makes sense for me, wouldn't be surprised if it was true and affected how common horse armor would be at the time.

About barding making horses slower, i have no idea. But i would stay away from making the analogy with franco-norman knights and cataphracts, it just sounds a little... How do you put it? Equipment-centric? Anyways, i've never looked into this subject, but im guessing the élan, training and tatics of both troop types could also have much to do with it.

[Benjamin H. Abbott]

Armor, for both horses and humans, is great in a melee but a dreadful chore to haul around while traveling. Fourquevaux and various other 16th-century (and earlier) European military writers recommended considerable armor for humans and for horses. For example, Sir John Smythe, writing near the end of the 16th century, considered barding "as well behind as before" a requirement to be a proper man-at-arms, and he lamented that European armies no longer fielded men-at-arms. (He noted that the Persians still used men-at-arms.) A number of horse armors survive, so we know it wasn't purely a captain's ideal.

On the other hand, note that Fourquevaux devised his recommendations specifically in contrast to the circa-1548 common practice. He thought his heavily armored pikers and men-at-arms would be able to defeat the standard armies of the time. By Fourquevaux's description, few if any contemporary men-at-arms wore full barding. You can see in the quotation in the first post how Fourquevaux noted that enemy men-at-arms lacked crinets and chamfons (neck and face protection).

I wouldn't be surprised if many of the men-at-arms at Pavia 1525 wore limited horse armor as shown in the images. Based on other sources, even when cavalry units had horse armor available, they often waited until the last minute to arm their horses. Horse armor was an encumbrance.

Now, was Fourquevaux right that full barding was better? All else being equal, it seems likely that men-at-arms in full barding would have an advantage against men-at-arms in limited or no barding. That doesn't mean that the effort involved in manufacturing, maintaining, and transporting full barding was worth it, however, and the expense may simply have been beyond what most prince's wished to pay.

Paul Dolnstein's sketchbook shows men-at-arms astride horses that look fully barded, though it isn't clear how the horses' necks are protection. I tend to think full horse armor peak around 1500, but I'm not sure how accurate that is.

[Pedro Paulo Gaião]

[James Arlen Gillaspie]

One of these days I must write up a pamphlet on the pitfalls of using artwork to obtain information about armour. It's the inventories that will tell how much barding of what type was used by whom. Artists extrapolate from reality to create work that gives a result that they find aesthetically pleasing. They were almost never witnesses of the events they portrayed. We know about the barding of 15th century heavy cavalry in Northern Italy from records, but you would never know it from the artwork. The Italian artists liked their horses naked.

I think it likely, though, that chanfrons without crinets were often used at the time in question. Over time, the chanfron was the last piece of horse armour to be discarded. The neck of a warhorse was far less exposed to attack than the frontal surfaces, hence chanfrons and peytrals would be concentrated on, and chanfrons above all, as the horse's head was most likely to be struck by an opponent. Chopping at the horse's neck is a lot trickier timing wise, as you are riding past each other; it was quite common for men-at-arms who did not participate in tournaments and used the quintain for their primary practice to miss their targets during a charge, especially the first pass, as their timing was thrown off by the fact that they were not used to bringing their lances down in time to connect with a target that was traveling towards them as fast as they were traveling towards it (summation of velocities).

[James Arlen Gillaspie]

Oh, and I should have added that striking at the horse's neck means dropping your guard, face wide open.

[Pedro Trigueiro]

Im really sorry for taking so much time to reply. Hopefully, it wasnt too late.


I'm almost sure i had seen you mention Fourquevaux in another thread Benjamin. I even quoted it on the first post. It was one of the reasons of why i created this thread. I've never searched on how hard would it be to transport barding, but i think it was already discussed in an older thread? The bit on cavalrymen waiting for the last moments to arm their horses makes sense for me, even though i havent looked into it.


About what Pedro Paulo said. From what i had heard, more professional cavalrymen were starting to become more popular, while feudal cavalry was declining? There was that quote by Commines on how they fared at the war of the public weal:

[James Arlen Gillaspie]

[Henry O.]

I had a thought on this. During the Battle of Pinkie Cleugh, William Patten claims that many of the English men at arms present did own armored barding for their horses, but that none had taken the time to put it on before the battle began: