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Sean Flynt




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PostPosted: Mon 06 Jun, 2011 1:10 pm    Post subject:         Reply with quote

It's worth noting that Schilling shows many armoured figures with long, unbound hair who've just lost their helmets. Many figures of men in combat wearing infantry harness and only a plumed cap over unbound hair. The caul might be distinctively German/Austrian.
-Sean

Author of the Little Hammer novel

https://www.amazon.com/Little-Hammer-Sean-Flynt/dp/B08XN7HZ82/ref=sr_1_1?dchild=1&keywords=little+hammer+book&qid=1627482034&sr=8-1
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Sean Flynt




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PostPosted: Fri 10 Jun, 2011 9:22 am    Post subject:         Reply with quote

Another detailed view of the construction:


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-Sean

Author of the Little Hammer novel

https://www.amazon.com/Little-Hammer-Sean-Flynt/dp/B08XN7HZ82/ref=sr_1_1?dchild=1&keywords=little+hammer+book&qid=1627482034&sr=8-1
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Jens Boerner




Location: Erlangen, Germany
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PostPosted: Thu 16 Jun, 2011 4:57 am    Post subject:         Reply with quote

very nice thread, and several images I haven't known up to now.

I'm wearing a reconstructed hearnet quite frequently underneath my salet:
http://www.diu-minnezit.de/1475_haarnetz_mann.html
http://www.diu-minnezit.de/galerie_fullsize.p...&tid=4
Works very well for me, since I've got long hair similar to the fashion of ca. 1475.
I don't know any other historical solution for wearing a helmet with this kind of hair length without if leaking underneath it- which is not shown in the images. So, the usage of such hairnets (for which there are plenty of original ones) may be speculation, but a reasonable one.
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Sean Flynt




Location: Birmingham, Alabama
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PostPosted: Thu 19 Apr, 2012 12:45 pm    Post subject:         Reply with quote

more fuel for the fire, ca. 1515.


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-Sean

Author of the Little Hammer novel

https://www.amazon.com/Little-Hammer-Sean-Flynt/dp/B08XN7HZ82/ref=sr_1_1?dchild=1&keywords=little+hammer+book&qid=1627482034&sr=8-1
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Mark T




PostPosted: Thu 19 Apr, 2012 3:10 pm    Post subject:         Reply with quote

Hi Sean,

Fantastic image! So now we have three clear images of people in full armour, with their helmet beside them, and wearing a caul - the Execution of St Florian, Albrecht Dürer's 'Der heilige Georg zu Fuß', and this one. As well as all of the logic and circumstantial evidence, I think these three images are about as good as it gets.

Sorry I dropped off the board for a while last year during the most recent posts here - I received an email back then from Gerry Embleton, saying he has no doubt that cauls were worn under helmets. I'll post the text/gist of that here soon.

I also received an email from the Companie of St George, asking me to write up our collective findings from this thread ... seems like not a lot of historical research had happened on this topic, and they're keen to publish it! (Given it has been quite a collective reserach endeavour, I'm hoping Sean will be happy to share co-writing credit - and we'll be sure to thank the rest of the myA community. Go team! Big Grin

Chief Librarian/Curator, Isaac Leibowitz Librarmoury

Schallern sind sehr sexy!
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Mark T




PostPosted: Fri 18 May, 2012 10:28 pm    Post subject:         Reply with quote

Here's another possible 'smoking gun': Jerg (or Jorg, or Joerg, or Jörg) Ratgeb, The Resurrection, Herrenberg Altar, right outside wing, 1518-1519 (I've also seen 1517-1518 given).

The image shows four soldiers, three of whom have helmets on, and one who is without a helmet, but appears to be wearing a caul. While, unfortunately, he doesn't have a helm showing in the image, it's possible to infer that he has been thrown to the ground with some force - he is not standing or sitting like the soldiers on the left, and appears to not be able to shield his eyes, as do the two topmost soldiers. It seems odd he would not have had a helmet, given his breastplate and other armour ... perhaps it came off as he was thrown to the ground? Yes, a lot of supposition here, and nothing definitive, but more for the growing circumstantial pile.

At the very least, it's another caul in a 'soldierly' (if not military/war) setting, and this fellow hasn't 'put a caul on to look good for the audience' - he had it on before being overcome.

I'll give three images here: full piece, detail showing soldiers, and detail of fallen soldier with caul.

(Images are from this Wikipedia page, sourced from The Yorck Project: 10.000 Meisterwerke der Malerei. DVD-ROM, 2002, compilation copyright is held by Zenodot Verlagsgesellschaft mbH.)



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Mark T




PostPosted: Thu 20 Mar, 2014 4:07 pm    Post subject:         Reply with quote

Mark T wrote:
I received an email back then from Gerry Embleton, saying he has no doubt that cauls were worn under helmets. I'll post the text/gist of that here soon.


I just remembered I didn't do this - better late than never!

Here's the email from Gerry from 9 June 2011, reproduced here with his permission:

Quote:
Re 'hairnets' ... which were of course arming caps. Long hair has to be kept out of the way beneath a sallet and all helmets had to have a really firm seat on the wearer's head. As far as I know none survive, but there are very clear renderings in the paintings of Dürer and Chranach and in many contemporary prints and sculptures. There is a fairly clear drawing in the 'Thun' armourer's book. They were indeed 'hairnets' but very strongly made and well padded. Like most arming caps and garments they are not entirely understood and we mostly lack the knowledge and skills to make them properly today.

I have examined the arming caps made for the tournament which are in Vienna and pieces of 'doublets full of holes' and some helmet linings. They are all of a similar construction, rather like the interior upholstery of pre-1945 furniture, crudely and swiftly made but with breathtaking skill.

At times nicely finished and even richly decorated 'hairnets' were worn without armour, war and warriors being then fashionable. 'Nice' versions of arming doublets were worn in the same way, as were light 'pretend' versions of 'brigandines' with all the rivets showing but no real plates within.

In Switzerland and Germany we live in a sea of 15th century images and sculptures. We are extremely lucky to do so. The amount of documentation is overwhelming. Over the last 40 years I have handled thousands of original pieces and the most important lessons I've learned are that we constantly underestimate the skills of our ancestors (which we have mostly lost) and we know little for sure and understand even less.

My very respectful cries of good luck and encouragement to all who explore this path.

Gerry Embleton

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Mark T




PostPosted: Sat 22 Mar, 2014 6:26 pm    Post subject:         Reply with quote

Two more images ... these aren't part of the case for hairnets under helmets, but are more general images of hairnets/cauls in a broader 'arms and armour' setting.


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Crossbowman Aiming, Hans Holbein the Elder, c. 1516. Courtesy wikimedia.org

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Lucas Cranach the Elder, 1506. Courtesy landsknecht.org

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Detail

Chief Librarian/Curator, Isaac Leibowitz Librarmoury

Schallern sind sehr sexy!
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Mark T




PostPosted: Sat 28 Jun, 2014 8:06 pm    Post subject:         Reply with quote

Just a quick note that I've commissioned a simple 'arming hairnet' in the style of some of the images here, and similar to the link Jens posted. This is being made by a woman I found in the UK who specialises in handmade hairnets and snoods (the joys of Etsy!) - and was interested in seeing the research here.

It's being hand-knotted, and will include a hand-crocheted or luceted cord for tightening.

I'll try to remember to post photos and reflections when it's here.

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Schallern sind sehr sexy!
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Mark T




PostPosted: Sun 29 Jun, 2014 3:31 pm    Post subject:         Reply with quote

I just noticed that Medieval Market are stocking a Nålebinding / Nalbinding cap: http://www.medieval-market.com/details.php?id_towar=223&s=5

Not sure if this would also achieve hair-retention under a helmet, but good to see it's available.



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Mark T




PostPosted: Wed 16 Jul, 2014 1:55 am    Post subject:         Reply with quote

As promised, here are the photos of my custom caul, made by Nadine at Etsy shop Virtue to Victory: https://www.etsy.com/au/shop/virtuetovictory

The process? Nadine was interested in this as a project, even dropping by here to read this thread for background. She completed the caul very quickly, and posted it in a fairly quick timeframe to make it here for a re-enactment event.

The result? I couldn't be happier. The caul is very sturdily made in wool, with a drawstring that helps it sit very snugly. Nadine actually also added a thin strand of invisible elastic cord in the band - this is almost impossible to see even when looking directly at the caul. While it's probably not necessary, it does help in holding the caul - and the hair it restrains - in place while tying the cord.

I died mine with black dye, initially thinking I wanted it to not be too noticeable if my hat or helmet was off. The dye was a little old, and the end result is a kind of grey-blue. I'm actually happy about this - many folks over the course of the weekend were interested in the caul, including some very well-researched folks who were interested to see one in use.

A couple of us decided it was the 'LCF' (Latest Cool Factor) ... so if you want to join the rush, contact Nadine and ask for the medieval hairnet now! Laughing Out Loud



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Chief Librarian/Curator, Isaac Leibowitz Librarmoury

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Sean Flynt




Location: Birmingham, Alabama
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PostPosted: Wed 16 Jul, 2014 7:33 am    Post subject:         Reply with quote

we MUST see a photo of you modeling this! What a great project! Almost makes it worth growing shoulder-length hair. Laughing Out Loud
-Sean

Author of the Little Hammer novel

https://www.amazon.com/Little-Hammer-Sean-Flynt/dp/B08XN7HZ82/ref=sr_1_1?dchild=1&keywords=little+hammer+book&qid=1627482034&sr=8-1
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Mark T




PostPosted: Thu 17 Jul, 2014 1:20 am    Post subject:         Reply with quote

Hi Sean,

I thought you'd appreciate this development! Laughing Out Loud I tend to not splash my image on the internet, but we'll see what happens.

I also think I 'converted' a couple of other people to the cause over the weekend, so I think there are now about six of us in the world that know the sheer sex-appeal of the men's hair net!

BTW, there's no need to have long hair for this to work: they look great in their own right (and believe me, I was very sceptical before donning one in public!), do a good job of giving a soft medieval hat some body, and add to padding under a helmet liner. You should definitely get one, Sean! Happy

I also have one other possible 'smoking gun' image to add to our collection ... just waiting on a better version to arrive.

That will give us three strongly circumstantial images, all in different contexts: one execution, one 'martial', and one that I guess we could classify as courtly. This will probably be the best corpus we have for finally writing up the piece that the Companie of St George requested some years back ... and possibly even a journal article (of all things!).

In the meantime, here's another 'civilian' image, with a caul design a little different from what we've seen before.

Source is here: http://www.metmuseum.org/toah/works-of-art/17.50.40

The full text is worth quoting here:

Quote:
Portrait of Pietro Aretino (probably after a design by Sebastiano del Piombo), ca. 1517–20 or 1524–25
Marcantonio Raimondi (Italian, ca. 1480–before 1534)
Engraving; 8 7/16 x 5 15/16 in. (21.5 x 15.1 cm)
Purchase, Joseph Pulitzer Bequest, 1917 (17.50.40)

Often regarded as the first modern pornographer, the poet and satirist Pietro Aretino (1492–1556) penned some of the most lurid and salacious verses of the sixteenth century, most famously the sixteen sonnets he wrote to accompany Giulio Romano's I modi and the erotic dialogues featuring a worldly-wise puttana (prostitute) Nanna conversing in explicit and lively detail about endless and infinitely varied sexual adventures—her own and those of innumerable others that she surreptitiously witnessed.

Marcantonio Raimondi's engraved portrait of Aretino was probably designed by the Venetian painter Sebastiano del Piombo, although the name of Giulio Romano—with whom Marcantonio collaborated on I modi—has also been proposed. It may date from the early moment of his career, when Aretino was still an unknown newcomer to Rome and he and Giulio were working for the wealthy papal banker Agostino Chigi; an alternative view is that the print was executed about 1525 as an expression of gratitude by Marcantonio to Aretino, who had negotiated the engraver's release from prison after the scandal of I modi.

Aretino's dignified mien and elegant costume impart to him the refined aspect of Renaissance courtier. That facade is belied by his conspicuous hat badge—an invocation of the satirist's transgressive, obscene pronouncement that the phallus should be venerated and displayed as proudly "as a medal in one's hat."



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Portrait of Pietro Aretino (probably after a design by Sebastiano del Piombo), ca. 1517–20 or 1524–25, Marcantonio Raimondi.jpg


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Henrik Zoltan Toth




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PostPosted: Thu 17 Jul, 2014 2:29 am    Post subject:         Reply with quote

http://www.google.hu/url?sa=t&rct=j&q...8958,d.bGQ
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Mart Shearer




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PostPosted: Thu 17 Jul, 2014 7:28 am    Post subject:         Reply with quote

Henrik! Wow!
ferrum ferro acuitur et homo exacuit faciem amici sui
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Henrik Zoltan Toth




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PostPosted: Thu 17 Jul, 2014 9:25 am    Post subject:         Reply with quote

I think that ppt could be quite helpful, couldn't it? Big Grin
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Mark T




PostPosted: Thu 17 Jul, 2014 4:47 pm    Post subject:         Reply with quote

Wow indeed! Nearly 100 pages including many images I'd never seen before ...

For some of the publicly-available images of cauls (or 'haarnetz' as I now really want to call them! Big Grin ), I'll try to find the time to add them to this thread.

If there are any pages with commentary, I might contact Dagmar at the Bayerishces Nationalmuseum and get get permission to add them here.

Thank so much Henrik!

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Mart Shearer




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PostPosted: Thu 17 Jul, 2014 5:12 pm    Post subject:         Reply with quote

Mark T wrote:
Wow indeed! Nearly 100 pages including many images I'd never seen before ...

For some of the publicly-available images of cauls (or 'haarnetz' as I now really want to call them! Big Grin ), I'll try to find the time to add them to this thread.


http://en.wikipedia.org/wiki/Snood_(headgear)

ferrum ferro acuitur et homo exacuit faciem amici sui
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Mark T




PostPosted: Fri 18 Jul, 2014 1:17 am    Post subject:         Reply with quote

Hi Mart,

Thanks for that link. Nadine who made mine calls them 'snoods', but most folks I say this to think I mean a tubular scarf.

Given that 'hairnet' seems to get odd looks, and not many people know the word 'caul', I think I'll switch to 'haarnetz' ... this might be slightly perverse, but given that most of the images I've seen are from 'German' contexts, to me, this would be like saying 'Bauernwehr' or 'messer' - other cultures had similar things, but this is the dominant cultural context we have for them today. It's also relevant to the time and place I'm interested in. And it will hopefully get the comedy factor of 'hairnet' with the 'huh?' factor of 'caul'. Or not. We'll see! Big Grin

I'll try to have a look through the links on the Wiki 'snood' page and add any here that are relevant.

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Schallern sind sehr sexy!
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Mark T




PostPosted: Sun 20 Jul, 2014 5:41 pm    Post subject:         Reply with quote

Here's the other of the 'strongly circumstantial' images of hairnets and harness I mentioned. This one is from Die Arbenteuer des Ritters Theuerdank (Taschen, 2003), an embellished account of events in the life of Emperor Maximillian.

This image was supplied by a military historian friend in Canada; I'm yet to read the accompanying text to see if there are other clues to the context for the image. However, at the very least, we have Maximillian shown in full harness, with his helm next to him, and a hairnet on.

So this gives us four images of people in armour with helms next to them, and hairnets, all in different contexts: the execution of St Florian (execution), the sleeping soldier posted above by Sean, St George on Foot (an assumed 'military' context, as he has just slain the dragon), and the Theuerdank image. My guess is that this is as good as we can get for images showing hairnets as possibly used under helms: while we have many images of hairnets 'poking out below' hats, or even hats jauntily perched at a severe angle which exposes the hairnet, we're very unlikely to see this with helms, given both their construction and use.



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Chief Librarian/Curator, Isaac Leibowitz Librarmoury

Schallern sind sehr sexy!


Last edited by Mark T on Mon 28 Jul, 2014 3:35 am; edited 1 time in total
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