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| I love the finishing work on the leather at the mouth of the scabbards.
I am guessing the leather is turned inward and sewn so that there are no exposed cut edges? I'd love to read an explanation of what was done and what was involved (fitted and wet formed with the sword in place?) I suspect that touch is not fully appreciated by those who have not tried to make their own. |
| Chad Arnow wrote: |
| Looks pretty nice. :) How do the rigs hang when worn? I only ask because the suspensions look like they're farther down the length of the blade than you normally see.
By the way, Russ, you still have an incorrect spelling of Jody Samson's name on your website. There's no "P" in the last name. :) |
| William C Champlin wrote: |
| I chose, for various reasons, to commission two scabbards from their Maelstrom line which is the lower-end or budget line.
The Reeve scabbard is the more utiliarian of the two. I would describe it as a more "weapons grade" scabbard with the only extra feature being a mild steel chape or drag. The wool lined leather covered scabbard is in Russ' standard brown which closely matches the grip of the Reeve in Albion's standard brown color. A fairly thick brown belt is attached and has a mild steel buckle that goes well with the fittings of this sword. The scabbard for the Prince is a bit more elegant which is fitting for a sword of this quality. It is a custom color, very close to the magenta (described to Russ by me as oxblood) grip. The belt is made of a finer leather than that of the Reeve, is custom dyed to match and fitted with an antique finish brass buckle. The buckle matches the patinated bronze pommel of the Prince perfectly. Both suspensions fit comfortably and snugly and allow me to easily draw either blade from the scabbard. The swords fit very well and will only slip out if fully inverted. I can't yet say how these will feel after a full day walking around the renfaire but I can walk and run without feeling encumbered. To answer Chad's concern, I find that these relatively short blades are easy to draw. Being relatively short myself, I'd probably have a hard time drawing a 36" or longer blade from a similar suspension. The only negatives that come to mind are: 1 The place where the leather meets the chape initially looked a little crude, but after a few minutes, this didn't bother me. and 2 On both belts the less finished edge of one part on each is on the upper side. It would be more estheically pleasing if these had been put on the lower edge of all parts. These scabbards are as different as the swords they house. I am very favorably impressed with the workmanship, artistry and value of both. In the future, I'm sure I'll commission more work from Tritonworks although I'll probably want somthing a little fancier for my Laird. W |

