[Chad Arnow]

Hello friends,
As some of you know, I'm a musician in real life. I've always enjoyed music history, specifically music of the Middle Ages and Renaissance, which fits nicely with my hobby passion, arms and armour. In a few books, I encountered a piece from the Victoria and Albert Museum that brings both areas of interest together.



This 16th century serving knife is decorated on the blade with music and words for giving thanks and blessing for a meal. Each side of the blade is a different piece; one is sung before the meal and one afterward. More info can be found here and here. A sister knife that might display a different choral part that can be sung along with the V&A piece's music is housed in a private collection:



The piece in the V&A museum has an ivory grip, with ebony, brass, and dyed ivory spacers; the ivory part is decorated in scrimshaw fashion with floral motifs. The blade is acid-etched and partly gilded with both the music/text and various floral motifs, masks, and trophy patterns.

Josh Davis and I were discussing various projects for him to do for me, and the V&A piece kept coming up. He gamely agreed to take on the challenge and I'll soon be in possession of an extraordinary replica of this piece.

Pics of the replica will be in the next post.

[Chad Arnow]

On to the replica:



Like the original, the grip is ivory (legally sourced), with dyed green ivory, brass, and wood spacers. The wood is not a brown ebony like the original; it's Kingswood which is closer in color than many black modern ebonies. The grip is decorated in the same engraved and filled floral patterns. The end knob on the replica is steel instead of silver.

Grip before final assembly:


Grip (assembled):


Some more in-progress pics of the grip.

Finial (unpeened):


Grip decoration:

[Chad Arnow]

The steel blade is acid-etched like the original. Josh etched for at least 4 1/2 hours in 30 minute increments. This was to allow the oxides to be cleaned off in between, making for a cleaner etch. The blade was coated in wax and the design scraped into it. Old school. There was some bleed-through in spots, but it adds to the authentic look.

Both sides of the blade, after etching before gilding.




With the gold leaf applied, but prior to final assembly:




Etching detail:

[J. Nicolaysen]

Wow Chad, that's really great! Just an amazing find in the Collection and a wonderful replica by Josh Davis. Congratulations, I am sure you are overjoyed. As a former music major and a lifelong musicophile, I'm jealous at the great result. Really cool.

[Tim Lison]

Fantastic piece Chad! I always enjoy seeing some of the oddball stuff like this reproduced. Thanks for sharing and congratulations!!!

[Chad Arnow]

Some final shots in this post. Since a knife like this would have no scabbard, I asked Josh to create a display/storage box. It's simple in looks on the outside, but will work great for my purposes.

In storage:


Showing peg storage:


Display mode:


All closed up:


All in all, I'm pretty thrilled. This is a tour de force of old world techniques and details. Josh spent a ton of time experimenting to get things right. He found he had to finish the blade differently by hand after its initial grinding so it would etch properly. He experimented with different lengths of etch, different strengths of acids, etc. In short, he dove in and went way above and beyond to get it right. This piece is detailed well beyond what most makers are willing to attempt. Josh did a great job on it.

All these pics are Josh's and I'll post some more when I have it in-hand.

Anyone curious about in-progress pics can see a gallery here: http://s1374.photobucket.com/user/carnow6494/library/Progress

[Eric W. Norenberg]

Flat-out amazing. The etch looks so cool. Chad, you've got a great eye for these things, makes me long for a couple of days at the V&A, just me and my camera.

[Josh Davis]

Thanks for posting this Chad!

This was as you said a very intensive project!! It was a lot of fun and a lot of mistakes were made, but I hope I hid them well enough

All in all I am also very pleased with this project. Thanks for presenting this project to me and I am very happy to have been able to make this for you. I will have some higher quality photos soon sent to you and on my website.


Josh

www.davisreproductions.com

[Sean Flynt]

I love to see one-of-a-kind projects based on good research and collaboration between client and maker. Great job, both of you!

[Radovan Geist]

that´s really lovely. congratulations for a unique project: both to maker and an owner. I may have one question, if it´s not a maker´s secret: what has been used for dyeing ebony?

[Josh Davis]

[Mark Griffin]

Lovely work Josh. Can't wait to see another of your ongoing projects completed ;-)

[Julien M]

Very unusual piece! It's great to see such items reproduced.

Great work Josh!

[Greg Ballantyne]

Simply amazing that such a unique and unusual piece finds the right audience to not only reproduce it, but so very nicely. That is a real beautiful piece of work, at both ends of the timeline. Thanks for both reproducing this and sharing the results.

[Radovan Geist]

Thank you, Josh! And again - a really beautiful work.

[Chad Arnow]

Thanks for the kind words, folks. If UPS is right, I should have this tomorrow.

Josh has posted a bunch of pics on his Facebook page: https://www.facebook.com/davisreproductions . Here are a few. Go there for more, better quality pics.

[Boris Bedrosov]

The beauty of the old school!

Josh Davis did an amazing work.
Chad - congratulations and thanks for sharing with us!

[Chad Arnow]

I received this piece yesterday. I've been in this hobby a while, and I've owned and seen a lot of cool stuff. I'd like to think I'm not too easy to impress. But this piece is impressive on many levels.

First, it's not as big as I imagined (see the in-hand photo below). Therefore, the amount of detail packed into the piece is even more impressive. High-res pics on big monitors make the blade look very wide, but it's not.

Second, it just has a look that's very period correct. It's hard to describe, but the shapes, proportions, decorations are just right. Peter Johnsson's work captures this, as does Leo Todeschini's. For amour, Jeffrey Hildebrandt hits that look. Josh nails it here, too. It just looks right. It's not perfect, but it's not sloppy. That's hard to pull off. I'm very glad to have gotten this done now, before Josh gets swarmed.

Here are a few more pics. Expect a formal review in the future.