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Quinn W.
Location: Bellingham, WA Joined: 02 May 2009
Posts: 197
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Posted: Fri 04 Feb, 2011 8:43 pm Post subject: New Breastplate |
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I just purchased a new breastplate for my early 15th century kit to upgrade from my poor-fitting GDFB one (which you can see around the middle of pg 34 of the "Show us your Kits and Harnesses" thread). I got this one from Bill at South Tower Armoury in Ottowa, Canada, a place I have not heard mentioned on these forums before.
I was originally going to go with a traditional Milanese-style breastplate, but decided to go with this. I was skeptical because I was unfamiliar with this type of breastplate, but Bill understood my concern for historical accuracy and assured me that it was inspired by existing Bavarian breastplates he had seen. I trust him, but I also admit I have never seen a breastplate of this sort of three-piece design and wondered if some of the members here could comment on its historical accuracy (or at least plausibility). After a little tweaking I can say it fits much more comfortably than my old breastplate and is surprisingly maneuverable. I requested that he add the subtle keel in front to help it fit the style of the rest of my kit and give it a little Milanese influence, but otherwise it is his design.
I'm sorry I don't have pictures where I'm actually wearing it. I did not have a squire handy at the time. If you think it would give you a better idea, I can see what I can do.
Happy to answer any questions I can,
Quinn
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"Some say that the age of chivalry is past, that the spirit of romance is dead. The age of chivalry is never past, so long as there is a wrong left unredressed on earth"
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Joe Fults
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Posted: Sat 05 Feb, 2011 7:35 am Post subject: |
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Looking at his webpage its pretty clear that he claims his designs are only very loosely historical for the most part. People who are nuts about authenticity do not appear to be his primary market. That being the case, unless he provided a specific reference armour that this was based on, I'd be inclined to assume it is a liberal interpretation of something, or several somethings, that the creator has seen (perhaps or perhaps not firsthand).
Beyond that I can't speak with reasonable authority to the accuracy of, so I'll refrain from throwing out uninformed opinion, but I would love to see it on you to get a better idea of its fit. It does look like his customers are pretty happy with what they get from him, and it does look like he enjoys what he is doing.
"The goal shouldn’t be to avoid being evil; it should be to actively do good." - Danah Boyd
Last edited by Joe Fults on Sat 05 Feb, 2011 4:31 pm; edited 1 time in total
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Thomas R.
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Posted: Sat 05 Feb, 2011 11:29 am Post subject: |
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Hi Quinn,
I was at first a little bit sceptic, like Joe, if your new harness was made after a historical piece, but look what I have found:
http://www.fischerauktionen.ch/UserData/Download_15444_00.pdf
It's a document from an auction. It states that it is a german gothic harness made in Nuremberg around 1470/90.
And its breast is made from three pieces!
Could well be, that your armorer saw this or a similar piece? Since it really was made in Bavaria...
Best wishes,
Thomas
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http://maerenundlobebaeren.tumblr.com/
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James Arlen Gillaspie
Industry Professional
Location: upstate NY Joined: 10 Nov 2005
Posts: 587
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Posted: Sat 05 Feb, 2011 11:32 am Post subject: |
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That cuirass is... pretty odd. There is a WORLD of difference between it and a standard 'German gothic' construction. Just making it from three pieces does not make it at all the same!
jamesarlen.com
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Thomas R.
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Posted: Sat 05 Feb, 2011 11:40 am Post subject: |
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James Arlen Gillaspie wrote: | That cuirass is... pretty odd. There is a WORLD of difference between it and a standard 'German gothic' construction. Just making it from three pieces does not make it at all the same! |
I think we all do know that. But at least the maker didn't make up the three-things-part...
http://maerenundlobebaeren.tumblr.com/
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Simon G.
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Quinn W.
Location: Bellingham, WA Joined: 02 May 2009
Posts: 197
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Posted: Sat 05 Feb, 2011 1:14 pm Post subject: |
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I don't really mind that the examples employ more gothic styling. Even if no examples exist, that still puts it in the realm of historic plausibility, and there's no reason it couldn't have been constructed simply with less fluting. What does concern me is that none of those examples seemed to be articulating. Even if made from seperate sections of steel, they look to be riveted to create a single rigid unit.
"Some say that the age of chivalry is past, that the spirit of romance is dead. The age of chivalry is never past, so long as there is a wrong left unredressed on earth"
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Simon G.
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Posted: Sat 05 Feb, 2011 1:59 pm Post subject: |
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Quote: | I don't really mind that the examples employ more gothic styling. Even if no examples exist, that still puts it in the realm of historic plausibility, and there's no reason it couldn't have been constructed simply with less fluting. What does concern me is that none of those examples seemed to be articulating. Even if made from seperate sections of steel, they look to be riveted to create a single rigid unit. |
It's hard to say whether or not these are articulated from the photos... All it would take would be slits on the inside of the armours to give the rivets some "wriggle room".
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Quinn W.
Location: Bellingham, WA Joined: 02 May 2009
Posts: 197
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Posted: Sat 05 Feb, 2011 2:49 pm Post subject: |
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Oh, I just assumed they were not, since they fit so tightly together. That would certainly be impressive if they did have even a small degree of articulation. It certainly shows the skill of the armorers to be able to create something so perfectly fitted that it doesn't even look like separate pieces.
"Some say that the age of chivalry is past, that the spirit of romance is dead. The age of chivalry is never past, so long as there is a wrong left unredressed on earth"
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