[Patrick Kelly]

.....and wow!


I came home this morning from work, went to bed and didn't dream there'd be a big white box waiting for me when I woke up but there it was this afternoon. When I opened the box I was immediately struck by the sword's beautiful proportions. The vigil has a bold and striking look, almost massive in appearance so taking the sword in the hand proved to be quite a surprise.



The Vigil has the best handling characteristics of any sword of this general type I've ever handled. It practically floats in the hand and moves effortlessly through various movements. Handling the Vigil comes primarily from the forearm and shoulder and movements from the wrist don't use the swords potential to best advantage. The sword handles so well one almost wants to handle it like a smallsword or fencing foil, however, while it may feel like Oakeshotts "fishing rod" this is no foil, but rather a sword meant for brutal cutting service.



The Vigils blade is very thin when compared to many swords of similar type. This isn't a detriment though, the blades double fullers give it just the right amount of rigidity so control is maintained and the sword is still capable of thrusting against softer targets. To say the Vigil is sharp would be an understatement! However, this acute sharpness doesn't compromise integrity, the edge geometry is strong and I'm sure the sword would sail through your cutting medium of choice.



When I was a child the sword fascinated me primarily due to the stories and tales associated with ancient heros and knights in armor. As I grew those things still had an effect and always will, but I became increasingly intrigued by the mechanical properties of the sword: its engineering, structure, design and the combination of the elements that make a sword what it is. A well known and highly respected custom smith once told me, "I don't like medieval swords, there just isn't much going on there." I disagreed then and still do now. In terms of shape, design and proportion there's quite a bit "going on" in a medieval sword, and the Vigil might be seen as the modern epitome of this.



There's a huge amount of detail present in the Vigil, from the sweep of its profile taper as it flares towards the blades shoulder, the aggressive nature of its cutting surface, the aesthetic beauty and mechanical neccessity of its twin fullers, as well as the proportions of its hilt components. I will undoubtedly spend hours with this sword in-hand studying its aspects, there's just so much to look at.




Aesthetically there's absolutely nothing to criticize. Fit and finish is as good as can be and machining is excellent. I was a bit uncertain about the grip when I saw the initial photos, but now that I have the sword in-hand I've totally changed my mind. The grip is very comfortable and secure, and its natural look contrasts quite well with the swords machined surfaces.

Here's a couple of photos for scale and comparison:
Eric McHugh with the original

Himself with the Vigil.


The are a few features that have been changed from the original at the behest of the British Museum. However, these seem to be mostly aesthetic and I'm pretty certain they don't alter the overall feel and properties of the old v. new. After thirty years of study it isn't often that something really impresses me, sometimes I wonder if I've become jaded or perhaps may be losing interest. Then something like the Vigil comes along and it's as if I'm a thirteen year old boy all over again, holding his first antique sword. I'm not impressed by the vigil, I'm absolutely blown away by it.

I've met many talented smiths over the years but not all of them have been the total package. The very best ones, the ones I consider true masters of the craft, have the ability to view the sword three-dimensionally, ie. not only comprehending the various individual aspects of a swords design but also being able to understand how they all must work together in balance with each other. Peter Johnsson has this rare ability, if he didn't the Vigil wouldn't be half the sword it is. Comment is often made about Peters skill and his contribution to Albion is indeed key and undeniable. On the other hand I often think Albions other employees get short shrift in the appreciation department. As I've said, there's a lot going on with the Vigils design and this means there are quite a few opportunities to mess it up during the manufacturing process. Everyone involved in the Vigils process is to be commended, from those responsible for the blades finishing to those in charge of assembly and grip making. Everyone at Albion was totally on their game when this sword went together. I've yet to see an Albion sword that wasn't an excellent example of its type, but sometimes the stars align, God smiles and something comes out simply perfect and the Vigil is such a sword.

If the sword of the high medieval period is your thing DO NOT let the Vigil pass you by.

Wow.

[Scott Kowalski]

Aargh! You are killing me Patrick by making it so hard to resist getting myself one.

Though let me congratulate you on a truly awesome looking sword. And thank you as well for the write up on it. I know I am looking forward to an even more in-depth one in the near future.

Scott

[Brian K.]

Very nice presentation. Thank you for this and taking the time.

I'm now wondering when mine will show up.

[Justin King]

It looks even nicer than the pics on Albion's site. I chose the same color grip even so I can just look at yours now and pretend it's mine About how thick is the blade around the COP? My Laird is about 3/32" at the end of the fuller or maybe even a hair less. I can't imagine this blade being much thinner than that.
I'm really excited about this sword and can't wait to get mine in my grubby little hands.....

[Matthew G.M. Korenkiewicz]

Congratulations on your new acquisition, Patrick. And an interesting review of Albion's
Vigil, as well. Ever since Albion announced its special pricing for this sword I've
looked at it again and again, along with the obvious pressing interests and concerns of
our current times. This is an impressive sword, and difficult to pass up ...

[Patrick Kelly]

[Patrick Kelly]

[Patrick Kelly]

[Micha Hofmann]

Wow. That is so beautiful...
Took the big step and ordered mine today from Albion Europe.
After seeing your pics, Patrick, I'm looking even more forward to my Vigil.
Thank you very much for the first impressions and for the great pics.

[Craig Peters]

Awesome photos Patrick. I especially like the one with you holding the sword in hand. While the other photos provide far better detail of the hilt and blade regions, that particular photo gives the best overall "feel" of the sword. While the Vigil isn't currently on my want list, I must say that it looks like an awesome piece of craftsmanship; perhaps one could describe it as "the Regent of single-handed swords".

[Chris Artman]

[Jean Thibodeau]

Thanks Patrick that was a joy to read and it makes me want to play with my Albions that I haven't played with in a while.

Sometimes we put them in a corner or on display and don't pick them up often enough This happens because there is always the tendency to like one's most recent purchase best if it was a good purchase.

Those double fullers make me want to play with my Sovereign and my Doge also.

Great review and pics and letting us share your impressions with us.

[Julien M]

Never been a big fan of types X but this one is really impressive. The British Museum being barely 10 minutes away from my office, I'll check out the original tonight.

Congrats Patrick!

J

[Scott Kowalski]

[Paul Watson]

After expressing concern about the spiral grip I can honestly say now seeing it in a darker colour has, as I suggested make the overall effect more subtle and very aesthetically pleasing.

To be honest I think this may well be my holy grail of single handed swords.

[Patrick De Block]

Patrick,

Maybe you will hate the following quote: 'The use of absolute descriptors is a practice that I try to avoid. Experience has shown me that it can be a perilous undertaking in the field of arms study. However, in this case I am forced to break that rule. This sword features performance and handling qualities that provide a perfect blend of powerful attacks and responsive defense.' This quote is a rather matter of fact statement, compared to the lyrical sentences on the Vigil.

This is not meant as attack, a lot of people, I guess, me among them, bought the Knight after reading your review and I don't regret it. Not at all.

My question: apart from the historical interest, the aesthetic appeal, the genius of Peter Johnsson in recreating swords, what is the value of this sword? I mean, suppose you're working in a medieval swordshop and I come along to buy an excellent sword, I want 'the best available tool' to do the job, I'm not blind to the other qualities, but my foremost thought is pratical, which sword would you recommend, the Knight or the Vigil. To put my question differently, has the Vigil superior handling characteristics compared to the Knight?

Please, do not misunderstand me, I have the highest regards for your opinions, I always read them, curious and eager to know what you think.

[Paul Watson]

Patrick De Block, you wrote out what I was thinking, I can't see myself ever selling my Knight but if the Vigil is even better this is very encouraging.

[David Sutton]

An excellent addition to your collection Patrick, I think Nathan was right it really suits you.

Seeing the sword in hand really shows what a fearsome weapon the original must have been; I can see this one being an archetypal 'shield slitter'. The subtle flaring of the blade at the hilt and the curve of its point give it a dynamic look.

I'd love to see this sword in motion, I bet it eats Tatami for breakfast!

[Patrick Kelly]

[Dan Dickinson]

Patrick, how thick is it at the cross?
Thanks,
Dan