Posts: 22 Location: USA
Tue 31 Mar, 2015 8:35 am
Sword sized Rondel Dagger??
Hi guys!
I recently took a trip over the pond to London and went to many museums to look at all the weapons, woohoo! But in going to the V&A museum I saw a painting from the 15th century I believe it was that depicted a guy holding a massively long
Rondel Dagger. I attached the image for you all to see.
My question is, did some painter just make this up? It got me all excited because I love Rondels and I wanted to know if this has any real historical backing other than just one painting.
Attachment: 329.15 KB

Posts: 795 Location: Wyoming
Tue 31 Mar, 2015 12:39 pm
Hey that's a nice one! Good find.
Seems like rondels could easily be this length. Nathan Robinson wrote a review of an Eric McHugh Rondel that is perhaps a shade smaller at 21" blade length. One big difference though is that the one Eric made has a trapezoidal blade and the one in your picture looks hollow ground diamond
cross-section.
There is one art-historical reference in Nathan's feature review also.
http://myArmoury.com/dagg_em_molrondel.html
Posts: 578 Location: Georgia
Tue 31 Mar, 2015 3:12 pm
That looks almost like a Viking sword...
What is the context of the image, if I may inquire? Is the man holding it, perhaps, an elf or some such? :P
Seriously though. There is no reason it couldn't have existed, but such large disks on such a long blade would have been somewhat impractical as they would interfere with attempting to use it like a sword. I suspect it may have been exaggerated to some degree in order to stand out more prominently in the image.
Posts: 1,303 Location: Jackson, MS, USA
Tue 31 Mar, 2015 4:22 pm
Jeffrey Faulk wrote: |
What is the context of the image, if I may inquire? |
Martyrdom of St. Ursula, the man with dagger represents a Hun.
http://collections.vam.ac.uk/item/O18975/the-...er-of-the/
Posts: 208 Location: Massachusetts, USA
Tue 31 Mar, 2015 4:45 pm
My speculation is that the 1492 painting is basically Christian propaganda intended to both inflame and capitalize off, anti-Turkish prejudices. For example, note Ursula's companion, in the center as an allegory to Christ, dying on a prominently cruciform weapon piercing his side. The Turk on the far right holding the 'rondel-sword', therefore, may have been given a non-cruciform weapon to both emphasize his status as a heathen, and to avoid introducing commonality and therefore deemphasizing the central metaphor of the painting (note the kneeling Turk on the left as well, he's been given a sort of scimitar or falchion).
I might be completely wrong, if someone with a better education would like to offer their interpretation I would like to read it.
Posts: 1,606 Location: Chicago, Illinois
Tue 31 Mar, 2015 6:28 pm
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