I won't make a review here. Let's just say that, like many, I had been pleasantly surprised by this sword, mainly because I was not expecting much of it. Handling wise it really shines: light and fast, it is very pleasant in the hand. The blade is its most attractive feature. Hollow ground, quiet stiff and certainly not wippy. It is quiet thin compared to the higher end swords of the same type, but solid enough and well made.
However, windlass completely butchered the guard. It is ugly and chuncky, and features very odd angles and lines...in short, a far cry from the elegant and slender quillons of the original sword. Most pictures I had a look at before purchase tended to choose the more appealing side of this guard, but in fact, what you get is like the picture below (it's not mine as I did not bother to take a shot of the guard prior to re grinding, but mine was identical).
The pics below show where I am now. I have already removed an awfull lot of material and started to reshape the overall profile making sure the quillons taper evenly towards the point). The tricky thing here is to match the intersection of the lines at the ecusson (front and under the guard). To facilitate grinding I have bent back the tip of the quillons, that I will bent again once I've got it right.
With that much material gone, the guard revealed partially why it was so badly shaped to start with. This guard was certainly not cast, but made of at leat 3 seperate welded bits(center part, and quillons). Lines appeared on the lower part of the guard (facing the blade, showing the structure (you can see them on one of the shot, near the blade shoulders). I suppose this was made to facilitate production.
Then grip, leather on top, fitting the brass rings back on the top at the bottom and top of the grip (which I kept...somewhere)...and of course scabbard.
Cheers,
Julien
The original at the Philadelphia Museum of Art

the abomination: the windlass guard as it is out of the box

wip


