Hello, all...
I'm planning on making a wood-core scabbard for a large seax, and I intended to line it with sheepskin. However, I only need around 18" x 6" to line the whole scabbard. The smallest amount of hair-on sheepskin I can find is much larger than I require and would cost me $40... however, I can buy a rabbit skin for only $5 that's plenty big for my intended use.
Is there any reason that the hair of a rabbit skin, once cut down to the advised length of 3mm, would not work as well as the wool of sheepskin? I have no experience with wool linings, but have read every forum discussion here on myArmoury that I could find related to the topic.
Basically, I don't even know enough to know all of the questions that I should ask, lol. The only direct query that comes to mind is this; will rabbit skin work as a scabbard lining?
Other than that... What advice would you offer me?
Thanks so much to all of you for your help, and for the great resource that is myArmoury in general.
All the best,
-Brogdon
I don't see why not. The rabbit fur will not have quite the same properties as the wool but it should work if you really want such a lining. As far as I know, such a lining is quite historically incorrect for a sax scabbard.
Lambs wool is not the only type of liner having been found in scabbard remains. Others include goat and gopher as well as wool cloth.I don't see why rabbit shouldn't also work as long as it's properly perpared.
The down side being you can't use one complete length for the entire scabbard unless you find a true giant rabbit. And they're feirce... and can leap about.... well, you know. ;)
When making overlaps of the liner, shave the fur off the top of the segment closer to the tip and thin the leather back on the part further up toward the mouth, then glue the one with fur over the other, overlapping downward. The idea is to not have a lip the blade tip can catch on.
Like this:
[ Linked Image ]
Thin as much as possible and remember the fit becomes tighter after you glue the core halves and/or wrap or cover it with leather. So you need a loose fit, not a perfect snug fit with just taped together core halves. If need be thin to a great degree but never leave the leather completely bare. No leather should be in direct contact wth the steel but a very thin fur stubble is still fine.
When I use fur liners, I prefer the oval hollow you see in Giebigs diagrams rather than the flat one most use (which also is historically correct). Turns out very nice with the fur really holding the blade and form fitting to it and allows it to slide out easy, you can slim down and lighten the scabbard core more and you don't need to crop the fur as short. Just a tip, both types work fine and oval hole means less work with the fur, but more work with the core.
[ Linked Image ]
With a flat recess, you normally have to crop the fur really short, easiest done before gluing in the core with any scissors, just bend the fur and crop a section at a time and not so deep as to shave it all off in spots. Or if you decide to do it after gluing, or need to adjust later, you can still do it in the two scabbard halves with tiny sheep shears that fit in the groove. With curly lambs skin this looks something like lion skin. With straigth pelt rabbit, it probably looks different.
The down side being you can't use one complete length for the entire scabbard unless you find a true giant rabbit. And they're feirce... and can leap about.... well, you know. ;)
When making overlaps of the liner, shave the fur off the top of the segment closer to the tip and thin the leather back on the part further up toward the mouth, then glue the one with fur over the other, overlapping downward. The idea is to not have a lip the blade tip can catch on.
Like this:
[ Linked Image ]
Thin as much as possible and remember the fit becomes tighter after you glue the core halves and/or wrap or cover it with leather. So you need a loose fit, not a perfect snug fit with just taped together core halves. If need be thin to a great degree but never leave the leather completely bare. No leather should be in direct contact wth the steel but a very thin fur stubble is still fine.
When I use fur liners, I prefer the oval hollow you see in Giebigs diagrams rather than the flat one most use (which also is historically correct). Turns out very nice with the fur really holding the blade and form fitting to it and allows it to slide out easy, you can slim down and lighten the scabbard core more and you don't need to crop the fur as short. Just a tip, both types work fine and oval hole means less work with the fur, but more work with the core.
[ Linked Image ]
With a flat recess, you normally have to crop the fur really short, easiest done before gluing in the core with any scissors, just bend the fur and crop a section at a time and not so deep as to shave it all off in spots. Or if you decide to do it after gluing, or need to adjust later, you can still do it in the two scabbard halves with tiny sheep shears that fit in the groove. With curly lambs skin this looks something like lion skin. With straigth pelt rabbit, it probably looks different.
I used rabbit fur for my scabbard lining, and it still functions very well. Make sure you have a vacuum cleaner at hand, while shearing the fur (and use a breathing protection mask!). Rabbit hair is a really, really annoying stuff, if it isn't sucked away immediately by a vacuum cleaner while shortening. I used leather glue to glue it into the halves of the scabbard and added some oil.
Best wishes,
Thomas
Best wishes,
Thomas
I must ask, does the rabbit-fur lining shed? I was under the impression that skins from that animal's tanned skin shed frequently, and easily acquired mildew. It was only to be used for open air items, like a throw blanket. Am I mistaken?
Thanks for all the good responses!
My replies, in order of appearance:
Scott- Thanks for the input! I agree; it's probably completely ahistorical, but this is more of a 'test project.' I want to learn how to do linings on scabbards, but without the amount of work involved with doing a full-sized lined scbabard, or the level of importance if I mess up. For a cheap seax with a 12" blade, that I don't even care about all that much, but is in need of a decent scabbard... It gives me a lot of freedom to expirament and not worry about getting something wrong, you know? Thanks for mentioning historical accuracy, however; that's a pretty important concern of mine when looking at most projects.
Johan- Wow! Thanks for all of that! :D Very helpful... I hadn't even considered using multiple rabbit skins for a full-sized scabbard, but that seems like a very good idea now that you've shown the proper way to accomplish it. Rather cost-effective, too.
I agree that the carved channel would be more effective with a fur lining, which is another reason why I want to try out the lining on this seax first. I'm not currently equiped to effectively produce a scabbard in that manner, and up 'til now have used the '3-piece' method. This seax, being single edged and thin to begin with, shouldn't lose much of the benefit of a fur lining even with a 3-piece scabbard, in my opinion.
Thomas- First-hand experience, great! Now I'm even more confident of success. :) Thanks... and especially, thanks for the tip about a vacuum and breathing mask! I never would have thought of that, but you're right... obviously.
Nicholas- Not that I'm a great resource, but I'll post back here when I recieve my rabbit skin and let you know how durable it is. I just ordered a 'jumbo rabbit black' skin from Tandy Leather; http://www.tandyleatherfactory.com/search/sea...11-01.aspx
Thanks again, guys!
-Brogdon
My replies, in order of appearance:
Scott- Thanks for the input! I agree; it's probably completely ahistorical, but this is more of a 'test project.' I want to learn how to do linings on scabbards, but without the amount of work involved with doing a full-sized lined scbabard, or the level of importance if I mess up. For a cheap seax with a 12" blade, that I don't even care about all that much, but is in need of a decent scabbard... It gives me a lot of freedom to expirament and not worry about getting something wrong, you know? Thanks for mentioning historical accuracy, however; that's a pretty important concern of mine when looking at most projects.
Johan- Wow! Thanks for all of that! :D Very helpful... I hadn't even considered using multiple rabbit skins for a full-sized scabbard, but that seems like a very good idea now that you've shown the proper way to accomplish it. Rather cost-effective, too.
I agree that the carved channel would be more effective with a fur lining, which is another reason why I want to try out the lining on this seax first. I'm not currently equiped to effectively produce a scabbard in that manner, and up 'til now have used the '3-piece' method. This seax, being single edged and thin to begin with, shouldn't lose much of the benefit of a fur lining even with a 3-piece scabbard, in my opinion.
Thomas- First-hand experience, great! Now I'm even more confident of success. :) Thanks... and especially, thanks for the tip about a vacuum and breathing mask! I never would have thought of that, but you're right... obviously.
Nicholas- Not that I'm a great resource, but I'll post back here when I recieve my rabbit skin and let you know how durable it is. I just ordered a 'jumbo rabbit black' skin from Tandy Leather; http://www.tandyleatherfactory.com/search/sea...11-01.aspx
Thanks again, guys!
-Brogdon
Cutting an oval core recess is not as hard as most think. Just draw the outline of the blade and create a roud bottom channel by carving it out with a spoon chisel and mallet. Make sure to cut diagonal to the grain to avoid taking out deep splinters though.
But perhaps a seax would be best off with a flat recess with a shallowing toward the edge since it doesn't have a oval-ish cross section but a one sided wedge similar to modern larger meat carving knives but thicker backed, or flat main section with an extended edge wedge like a modern bowie. The recess needs to follow that shape plus some extra depth for the liner.
I'm looking into the Valsgärde seax scabbards from the Uppsala mounds right now trying to figure them out for reproduction. Old Uppsala with the staging field and many burial mounds was most likely the main scandinavian merovingian age to early medieval age cult centre. These scabbards are a bit odd and also very interesting as they turn a few of my own ideas about seax scabbards and handles upside down. They're different from the straight sword scabbards we most often see as well as different to the all-leather and metal seax scabbards we refer to them most commonly today.
They mostly resemble greek Xifos scabbards (as seen on statues) or similar early roman or Etruiscan designs with what seems to be square sides and a flat face with decorative plates and overlap fitted plating running along the edges. The last feature is something also seen in some migration era sword scabbards but they were more or less rounded over the face to make an oval cross section. If I was to guess, these Valsgärde scabbards would have used straight box cut recesses for the blade given the box shape cross section of the core halves, but I haven't been able to verify that yet.
There's also another even odder seax sceath/scabbard type that looks something like a revolver holster. But it looks too odd for even me to contemplate for recreation right now. I'd need to look into them a lot more, perhaps they're not even for seaxes but some other type of blade.
This all said, I've seen some finds of early seaxes with rounded scabbards similar to straigth double edge swords also. Like the find from Odensjö in Sweden (probably from 2-300 AD) and several german finds. So both were used at some point in time. These are usually from Roman iron age though, not Merovingian or viking age.
But perhaps a seax would be best off with a flat recess with a shallowing toward the edge since it doesn't have a oval-ish cross section but a one sided wedge similar to modern larger meat carving knives but thicker backed, or flat main section with an extended edge wedge like a modern bowie. The recess needs to follow that shape plus some extra depth for the liner.
I'm looking into the Valsgärde seax scabbards from the Uppsala mounds right now trying to figure them out for reproduction. Old Uppsala with the staging field and many burial mounds was most likely the main scandinavian merovingian age to early medieval age cult centre. These scabbards are a bit odd and also very interesting as they turn a few of my own ideas about seax scabbards and handles upside down. They're different from the straight sword scabbards we most often see as well as different to the all-leather and metal seax scabbards we refer to them most commonly today.
They mostly resemble greek Xifos scabbards (as seen on statues) or similar early roman or Etruiscan designs with what seems to be square sides and a flat face with decorative plates and overlap fitted plating running along the edges. The last feature is something also seen in some migration era sword scabbards but they were more or less rounded over the face to make an oval cross section. If I was to guess, these Valsgärde scabbards would have used straight box cut recesses for the blade given the box shape cross section of the core halves, but I haven't been able to verify that yet.
There's also another even odder seax sceath/scabbard type that looks something like a revolver holster. But it looks too odd for even me to contemplate for recreation right now. I'd need to look into them a lot more, perhaps they're not even for seaxes but some other type of blade.
This all said, I've seen some finds of early seaxes with rounded scabbards similar to straigth double edge swords also. Like the find from Odensjö in Sweden (probably from 2-300 AD) and several german finds. So both were used at some point in time. These are usually from Roman iron age though, not Merovingian or viking age.
Johan, I am interested in learning more about this scabbard that resembles a revolver holster.
I would have to side on the "be careful" side of this.I have used both rabbit and springbok on displays in my study.The blades that have sat on either fur for a while developed rust...wool is good because of the lanolin...I don't think the others are near the same.
I now almost nothing about making sheaths, although I see no reason why rabbit skin would not be historical. The point about the lanolin is a good one (I know about that). But you said this was a learning experience so I say go for it. Or you could make multiple linings fro sheepskin (bit to late now though I suppose) :lol: .
Will White wrote: |
I now almost nothing about making sheaths, although I see no reason why rabbit skin would not be historical. |
That'd depend on where and when the scabbard you're making would have been made. You wouldn't be using rabbit fur on an anglo- saxon scabbard for example.
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