Close study reveals hints that both pommel and cross-guard were metal-worked, and probably bejeweled. The artistry of the scabbard, clasps, belts, etc. make it likely his sword had no less attention given to ornamentation. Though he was not depicted in harness, this sword was clearly symbolic of his rank, and likely the finest in his collection. In addition, note the size of his kite shield. The addition of poudrons, knee cops, etc. were beginning to alter the need for the great shields used by Crusader Knights of the prior century.
Edit: I'm adding a quote from Kirk Lee Spencer's reply to Nathan Robinson (Page 2 of this thread.) "The same dizzying overly encrusted decoration we see on most] [swords can also be seen in the architecture and visual arts of this time period (High Renaissance to Rococo). evidently during the high Renaissance a sensibility developed, and was passed through culture, that this "visual attention deficit disorder "was not silly but the very pentacle of perfection." Kirk's, and Nathan's comments infer the same reasoning as my above comparison of the Margrave's sword, and the vaulting of the cathedral where he and his wife are memorialized. Thanks guys! You gentlemen must have studied Art History as I have. :p
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![wiliamson-gothic-sculpture-br600.jpg](files/wiliamson-gothic-sculpture-br600_194.jpg)
Swords do not need to be gaudy to be gorgeous.